A Text-Book of the History of Architecture: Seventh Edition, revisedHamlin, A. D. F. (Alfred Dwight Foster)
History
A Text-Book of the History of Architecture: Seventh Edition, revised
Hamlin, A. D. F. (Alfred Dwight Foster)
Architecture -- History
+ARCHITECTURAL DETAILS.+ While Arabic architecture, in Syria and Egypt
alike, possesses more decorative than constructive originality, the
beautiful forms of its domes, pendentives, and minarets, the simple
majesty of the great pointed barrel-vaults of the Hassan mosque and
similar monuments, and the graceful lines of the universally used
pointed arch, prove the Coptic builders and their later Arabic
successors to have been architects of great ability. The Arabic domes,
as seen both in the mosques and in the remarkable group of tombs
commonly called “tombs of the Khalîfs,” are peculiar not only in their
pointed outlines and their rich external decoration of interlaced
geometric motives, but still more in the external and internal treatment
of the pendentives, exquisitely decorated with stalactite ornament. This
ornament, derived, no doubt, from a combination of minute corbels with
rows of small niches, and presumably of Persian origin, was finally
developed into a system of extraordinary intricacy, applicable alike to
the topping of a niche or panel, as in the great doorways of the
mosques, and to the bracketing out of minaret galleries (Figs. 81, 82).
Its applications show a bewildering variety of forms and an
extraordinary aptitude for intricate geometrical design.
[Illustration: FIG. 81.--MOSQUE OF KAÎD BEY, CAIRO]
+DECORATION.+ Geometry, indeed, vied with the love of color in its hold
on the Arabic taste. Ceiling-beams were carved into highly ornamental
forms before receiving their rich color-decoration of red, green, blue,
and gold. The doors and the _mimber_ were framed in geometric patterns
with slender intersecting bars forming complicated star-panelling. The
voussoirs of arches were cut into curious interlocking forms; doorways
and niches were covered with stalactite corbelling, and pavements and
wall-incrustations, whether of marble or tiling, combined brilliancy and
harmony of color with the perplexing beauty of interlaced
star-and-polygon patterns of marvellous intricacy. Stained glass added
to the interior color-effect, the patterns being perforated in plaster,
with a bit of colored glass set into each perforation--a device not very
durable, perhaps, but singularly decorative.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account