A Text-Book of the History of Architecture: Seventh Edition, revisedHamlin, A. D. F. (Alfred Dwight Foster)
History
A Text-Book of the History of Architecture: Seventh Edition, revised
Hamlin, A. D. F. (Alfred Dwight Foster)
Architecture -- History
The Mohammedan monuments of India are characterized by a grandeur and
amplitude of disposition, a symmetry and monumental dignity of design
which distinguishes them widely from the picturesque but sometimes
trivial buildings of the Arabs and Moors. Less dependent on color than
the Moorish or Persian structures, they are usually built of marble, or
of marble and sandstone, giving them an air of permanence and solidity
wanting in other Moslem styles except the Turkish. The dome, the round
minaret, the pointed arch, and the colossal portal-arch, are universal,
as in Persia, and enamelled tiles are also used, but chiefly for
interior decoration. Externally the more dignified if less resplendent
decoration of surface carving is used, in patterns of minute and
graceful scrolls, leaf forms, and Arabic inscriptions covering large
surfaces. The Arabic stalactite pendentive star-panelling and
geometrical interlace are rarely if ever seen. The dome on the square
plan is almost universal, but neither the Byzantine nor the Arabic
pendentive is used, striking and original combinations of vaulting
surfaces, of corner squinches, of corbelling and ribs, being used in its
place. Many of the Pathan domes and arches at Delhi, Ajmir, Ahmedabad,
Shepree, etc., are built in horizontal or corbelled courses supported on
slender columns, and exert no thrust at all, so that they are vaults
only in form, like the dome of the Tholos of Atreus (Fig. 24). The most
imposing and original of all Indian domes are those of the +Jumma
Musjid+ and of the +Tomb of Mahmud+, both at Bijapur, the latter 137
feet in span (Fig. 85). These two monuments, indeed, with the Mogul Taj
Mahal at Agra, not only deserve the first rank among Indian monuments,
but in constructive science combined with noble proportions and
exquisite beauty are hardly, if at all, surpassed by the greatest
triumphs of western art. The Indo-Moslem architects, moreover,
especially those of the Mogul period, excelled in providing artistic
settings for their monuments. Immense platforms, superb courts, imposing
flights of steps, noble gateways, minarets to mark the angles of
enclosures, and landscape gardening of a high order, enhance greatly the
effect of the great mosques, tombs, and palaces of Agra, Delhi,
Futtehpore Sikhri, Allahabad, Secundra, etc.
Public-domain text, read in full here on John Shaqi.
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