A Text-Book of the History of Architecture: Seventh Edition, revisedHamlin, A. D. F. (Alfred Dwight Foster)
History
A Text-Book of the History of Architecture: Seventh Edition, revised
Hamlin, A. D. F. (Alfred Dwight Foster)
Architecture -- History
+THE FRENCH ROMANESQUE.+ Though monasticism produced remarkable results
in France, architecture there did not wholly depend upon the
monasteries. Southern Gaul (Provence) was full of classic remains and
classic traditions while at the same time it maintained close trade
relations with Venice and the East.[19] The church of +St. Front+ at
Perigueux, built in 1120, reproduced the plan of St. Mark’s with
singular fidelity, but without its rich decoration, and with pointed
instead of round arches (Figs. 94, 95). The domical cathedral of
+Cahors+ (1050-1100), an obvious imitation of S. Irene at
Constantinople, and the later and more Gothic Cathedral of +Angoulême+
display a notable advance in architectural skill outside of the
monasteries. Among the abbeys, +Fontevrault+ (1101-1119) closely
resembles Angoulême, but surpasses it in the elegance of its choir and
chapels. In these and a number of other domical churches of the same
Franco-Byzantine type in Aquitania, the substitution of the Latin cross
in the plan for the Greek cross used in St. Front, evinces the Gallic
tendency to work out to their logical end new ideas or new applications
of old ones. These striking variations on Byzantine themes might have
developed into an independent local style but for the overwhelming tide
of Gothic influence which later poured in from the North.
[Footnote 19: See Viollet-le-Duc, _Dictionnaire raisonné_, article
ARCHITECTURE, vol. i., pp. 66 _et seq._; also de Verneilh,
_L’Architecture byzantine en France_.]
[Illustration: FIG. 95.--INTERIOR OF ST. FRONT, PERIGUEUX.]
Meanwhile, farther south (at Arles, Avignon, etc.), classic models
strongly influenced the details, if not the plans, of an interesting
series of churches remarkable especially for their porches rich with
figure sculpture and for their elaborately carved details. The classic
archivolt, the Corinthian capital, the Roman forms of enriched
mouldings, are evident at a glance in the porches of Notre Dame des Doms
at Avignon, of the church of St. Gilles, and of St. Trophime at Arles.
[Illustration: FIG. 96.--PLAN OF NOTRE DAME DU PORT, CLERMONT.]
[Illustration: FIG. 97.--SECTION OF NOTRE DAME DU PORT, CLERMONT.]
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