A Text-Book of the History of Architecture: Seventh Edition, revisedHamlin, A. D. F. (Alfred Dwight Foster)
History
A Text-Book of the History of Architecture: Seventh Edition, revised
Hamlin, A. D. F. (Alfred Dwight Foster)
Architecture -- History
+LATE GOTHIC MONUMENTS.+ So far our attention has been mainly occupied
with the masterpieces erected previous to 1250. Among the cathedrals,
relatively few in number, whose construction is referable to the second
half of the century, that of +Beauvais+ stands first in importance.
Designed on a colossal scale, its foundations were laid in 1225, but it
was never completed, and the portion built--the choir and
chapels--belonged really to the second half of the century, having been
completed in 1270. But the collapse in 1284 of the central tower and
vaulting of this incomplete cathedral, owing to the excessive loftiness
and slenderness of its supports, compelled its entire reconstruction,
the number of the piers being doubled and the span of the pier arches
correspondingly reduced. As thus rebuilt, the cathedral aisle was 47
feet wide from centre to centre of opposite piers, and 163 feet high to
the top of the vault. Transepts were added after 1500. +Limoges+ and
+Narbonne+, begun in 1272 on a large scale (though not equal in size to
Beauvais), were likewise never completed. Both had choirs of admirable
plan, with well-designed chevet-chapels. Many other cathedrals begun
during this period were completed only after long delays, as, for
instance, Meaux, Rodez (1277), Toulouse (1272), and Alby (1282),
finished in the sixteenth century, and Clermont (1248), completed under
Napoleon III. But between 1260 or 1275 and 1350, work was actively
prosecuted on many still incomplete cathedrals. The choirs of Beauvais
(rebuilding), Limoges, and Narbonne were finished after 1330; and
towers, transept-façades, portals, and chapels added to many others of
earlier date.
The style of this period is sometimes designated as +Rayonnant+, from
the characteristic wheel tracery of the rose-windows, and the prevalence
of circular forms in the lateral arched windows, of the late thirteenth
and early fourteenth centuries. The great rose windows in the transepts
of Notre Dame, dating from 1257, are typical examples of the style.
Those of Rouen cathedral belong to the same category, though of later
date. The façade of Amiens, completed by 1288, is one of the finest
works of this style, of which an early example is the elaborate parish
church of +St. Urbain+ at Troyes.
Public-domain text, read in full here on John Shaqi.
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