A Text-Book of the History of Architecture: Seventh Edition, revisedHamlin, A. D. F. (Alfred Dwight Foster)
History
A Text-Book of the History of Architecture: Seventh Edition, revised
Hamlin, A. D. F. (Alfred Dwight Foster)
Architecture -- History
In the Perpendicular Period nearly all flat surfaces were panelled in
designs resembling the tracery of the windows. The capitals were less
important than those of the preceding periods, and the mouldings weaker
and less effective. The Tudor rose appears as an ornament in square
panels and on flat surfaces; and moulded battlements, which first
appeared in Decorated work, now become a frequent crowning motive in
place of a cornice. There is less originality and variety in the
ornament, but a great increase in its amount (Fig. 136).
[Illustration: FIG. 136.--FAN-VAULTING, HENRY VII.’S CHAPEL,
WESTMINSTER ABBEY.]
+PLANS.+ English church plans underwent, during the Gothic Period, but
little change from the general types established previous to the
thirteenth century. The Gothic cathedrals and abbeys, like the Norman,
were very long and narrow, with choirs often nearly as long as the nave,
and almost invariably with square eastward terminations. There is no
example of double side aisles and side chapels, and apsidal chapels are
very rare. Canterbury and Westminster (Fig. 137) are the chief
exceptions to this, and both show clearly the French influence. Another
striking peculiarity of the English plans is the frequent occurrence of
secondary transepts, adding greatly to the external picturesqueness.
These occur in rudimentary form in Canterbury, and at Durham the Chapel
of the Nine Altars, added 1242-1290 to the eastern end, forms in reality
a secondary transept. This feature is most perfectly developed in the
cathedral of Salisbury (Fig. 128), and appears also at Lincoln,
Worcester, Wells, and a few other examples. The English cathedral plans
are also distinguished by the retention or incorporation of many
conventual features, such as cloisters, libraries, and halls, and by the
grouping of chapter-houses and Lady-chapels with the main edifice. Thus
the English cathedral plans and those of the great abbey churches
present a marked contrast with those of France and the Continent
generally. While Amiens, the greatest of French cathedrals, is 521 feet
long, and internally 140 feet high, Ely measures 565 feet in length, and
less than 75 feet in height. Notre Dame is 148 feet wide; the English
naves are usually under 80 feet in total width of the three aisles.
[Illustration: FIG. 137.--EASTERN HALF OF WESTMINSTER ABBEY. PLAN.
a, _Henry VII.’s chapel._]
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