A Text-Book of the History of Architecture: Seventh Edition, revisedHamlin, A. D. F. (Alfred Dwight Foster)
History
A Text-Book of the History of Architecture: Seventh Edition, revised
Hamlin, A. D. F. (Alfred Dwight Foster)
Architecture -- History
+THE WAR PERIOD.+ The period from 1850 to 1876 was one of intense
political activity and rapid industrial progress. The former culminated
in the terrible upheaval of the civil war; the latter in the completion
of the Pacific Railroad (1869) and a remarkable development of the
mining resources and manufactures of the country. It was a period of
feverish commercial activity, but of artistic stagnation, and witnessed
the erection of but few buildings of architectural importance. A number
of State capitols, city halls and churches, of considerable size and
cost but of inferior design, attest the decline of public taste and
architectural skill during these years. The huge Municipal Building at
Philadelphia and the still unfinished Capitol at Albany are full of
errors of planning and detail which twenty-five years of elaboration
have failed to correct. Next to the dome of the Capitol at Washington,
completed during this period, of which it is the most signal
architectural achievement, its most notable monument was the +St.
Patrick’s Cathedral+ at New York, by _Renwick_; a Gothic church which,
if somewhat cold and mechanical in detail, is a stately and
well-considered design. Its west front and spires (completed 1886) are
particularly successful. Trinity Church (1843, by _Upjohn_) and Grace
Church (1840, by Renwick), though of earlier date, should be classed
with this cathedral as worthy examples of modern Gothic design. Indeed,
the churches designed in this style by a few thoroughly trained
architects during this period are the most creditable and worthy among
its lesser productions. In general an undiscriminating eclecticism of
style prevailed, unregulated by sober taste or technical training. The
Federal buildings by _Mullett_ were monuments of perverted design in a
heavy and inartistic rendering of French Renaissance motives. The New
York Post Office and the State, Army and Navy Department building at
Washington are examples of this style.
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