A Text-Book of the History of Architecture: Seventh Edition, revisedHamlin, A. D. F. (Alfred Dwight Foster)
History
A Text-Book of the History of Architecture: Seventh Edition, revised
Hamlin, A. D. F. (Alfred Dwight Foster)
Architecture -- History
+CHINESE ARCHITECTURE.+ No purely Mongolian nation appears ever to have
erected buildings of first-rate importance. It cannot be denied,
however, that the Chinese are possessed of considerable decorative skill
and mechanical ingenuity; and these qualities are the most prominent
elements in their buildings. Great size and splendor, massiveness and
originality of construction, they do not possess. Built in large measure
of wood, cleverly framed and decorated with a certain richness of color
and ornament, with a large element of the grotesque in the decoration,
the Chinese temples, pagodas, and palaces are interesting rather than
impressive. There is not a single architectural monument of imposing
size or of great antiquity, so far as we know. The celebrated +Porcelain
Tower+ of Nankin is no longer extant, having been destroyed in the
Tæping rebellion in 1850. It was a nine-storied polygonal pagoda 236
feet high, revetted with porcelain tiles, and was built in 1412. The
largest of Chinese temples, that of the +Great Dragon+ at Pekin, is a
circular structure of moderate size, though its enclosure is nearly a
mile square. Pagodas with diminishing stories, elaborately carved
entrance gates and successive terraces are mainly relied upon for
effect. They show little structural art, but much clever ornament. Like
the monasteries and the vast _lamaseries_ of Thibet, they belong to the
Buddhist religion.
Aside from the ingenious framing and bracketing of the carpentry, the
most striking peculiarity of Chinese buildings is their broad-spreading
tiled roofs. These invariably slope downward in a curve, and the tiling,
with its hip-ridges, crestings, and finials in terra-cotta or metal,
adds materially to the picturesqueness of the general effect. Color and
gilding are freely used, and in some cases--as in a summer pavilion at
Pekin--porcelain tiling covers the walls, with brilliant effect. The
chief wonder is that this resource of the architectural decorator has
not been further developed in China, where porcelain and earthenware are
otherwise treated with such remarkable skill.
Public-domain text, read in full here on John Shaqi.
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