"A neatly published work, adapted to the use either of student or general reader. As a text-book it is a concise and orderly setting forth of the main principles of architecture followed by the different schools. The life history of each period is brief yet thorough.... The treatment is broad and not over-critical. The chief facts are so grouped that the student can easily grasp them. The plan-drawings are clear cut and serve their purpose admirably. The half-tone illustrations are modern in selection and treatment. The style is clear, easy and pleasing. The entire production shows a studious and orderly mind. A new and pleasing characteristic is the absence of all discussion on disputed points. In its unity, clearness and simplicity lie its charm and interest."--NOTRE DAME SCHOLASTIC, NOTRE DAME, IND. "This is a very thorough and compendious history of the art of architecture from the earliest times down to the present.... The work is elaborately illustrated with a great host of examples, pictures, diagrams, etc. It is intended to be used as a school text-book, and is very conveniently arranged for this purpose, with suitable headings in bold-faced type, and a copious index. Teachers and students will find it a capital thing for the purpose."--PICAYUNE, NEW ORLEANS. A History of Sculpture, BY ALLAN MARQUAND, Ph. D., L. H. D. AND ARTHUR L. FROTHINGHAM, Jr., Ph. D. Professors of Archaeology and the History of Art in Princeton University. With Frontispiece and 113 Illustrations in half-tone in the text, Bibliographies, Addresses for Photographs and Casts, etc. Crown 8vo, 313 pages, $1.50. * * * * * HENRY W. KENT, _Curator of the Seater Museum, Watkins, N. Y._ "Like the other works in this series of yours, it is simply invaluable, filling a long-felt want. The bibliographies and lists will be keenly appreciated by all who work with a class of students." CHARLES H. MOORE, _Harvard University_. "The illustrations are especially good, avoiding the excessively black background which produce harsh contrasts and injure the outlines of so many half-tone prints." J. M. HOPPIN, _Yale University_. "These names are sufficient guarantee for the excellence of the book and its fitness for the object it was designed for. I was especially interested in the chapter on _Renaissance Sculpture in Italy_." CRITIC, _New York_. "This history is a model of condensation.... Each period is treated in full, with descriptions of its general characteristics and its individual developments under various conditions, physical, political, religious and the like.... A general history of sculpture has never before been written in English--never in any language in convenient text-book form. This publication, then, should meet with an enthusiastic reception among students and amateurs of art, not so much, however, because it is the only book of its kind, as for its intrinsic merit and attractive form." OUTLOOK, _New York_.