Egypt -- History -- 30 B.C.-640 A.D. -- Fiction; German fiction -- Translations into English
They had done well to enlist the girl’s services, for, since nursing her
mother, she knew, as few did, how to handle the sick. It was not till
they had fairly set out that Melissa observed that Dame Katharine was
of the party; she had no doubt become reconciled to the idea of the sick
man’s removal to the Serapeum, for she had the same look of kindly calm
which had so much attracted the girl at their first meeting.
The streets along which they passed in the pale morning light were now
deserted, and a film of mist, behind which glowed the golden light of
the newly risen sun, shrouded the horizon. The fresh air of morning was
delicious, and at this early hour there was no one to avoid--only the
peasants and their wives carrying the produce of their gardens and
fields to market on asses, or wagons drawn by oxen. The black slaves
of the town were sweeping the roadway. Here there were parties of men,
women, and children on their way to work in factories, which were at
rest but for a few hours in the bustling town. The bakers and
other provision-dealers were opening their shops; the cobblers and
metalworkers were already busy or lighting fires in their open stalls;
and Andreas nodded to a file of slave-girls who had come across from
the farm and gardens of Polybius, and who now walked up the street with
large milk-jars and baskets of vegetables poised on their heads and
supported with one gracefully raised arm.
They presently crossed the Aspendia Canal, where the fog hung over the
water like white smoke, hiding the figure of the tutelary goddess of the
town on the parapet of the bridge from those who crossed by the roadway.
The leaves of the mimosa-trees by the quay--nay, the very stones of the
houses and the statues, wet with the morning dew--looked revived and
newly washed; and a light breeze brought up from the Serapeum broken
tones of the chant, sung there every morning by a choir of priests, to
hail the triumph of light over darkness.
Public-domain text, read in full here on John Shaqi.
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