The statue of Serapis, a figure of colossal size, carved by the master-hand of Bryaxis, out of ivory overlaid with gold, sat enthroned in the inner chamber of the great Temple of Serapis, with the kalathos crowning his bearded face, and the three-headed Cerberus at his feet, gazing down in supreme silence on the scene around. He did not lack for pious votaries and enthusiastic admirers, for, so long as Caesar was his guest, the curtain was withdrawn which usually hid his majestic form from their eyes. But his most devoted worshipers thought that the god’s noble, benevolent, grave countenance had a wrathful look; for, though nothing had been altered in this, the finest pillared hall in the world; though the beautiful pictures in relief on the walls and ceiling, the statues and altars of marble, bronze, and precious metals between the columns, and the costly mosaic-work of many colors which decked the floor in regular patterns, were the same as of yore, this splendid pavement was trodden to-day by thousands of feet which had no concern with the service of the god. Before Caesar’s visit, solemn silence had ever reigned in this worthy home of the deity, fragrant with the scarcely visible fumes of kyphi; and the worshipers gathered without a sound round the foot of his statue, and before the numerous altars and the smaller images of the divinities allied to him or the votive tablets recording the gifts and services instituted in honor of Serapis by pious kings or citizens. On feast-days, and during daily worship, the chant of priestly choirs might be heard, or the murmur of prayer; and the eye might watch the stolists who crowned the statues with flowers and ribbons, as required by the ritual, or the processions of priests in their various rank. Carrying sacred relics and figures of the gods on trays or boats, with emblematic standards, scepters, and cymbals, they moved about the sacred precinct in prescribed order, and most of them fulfilled their duties with devotion and edification.