Egypt -- History -- 30 B.C.-640 A.D. -- Fiction; German fiction -- Translations into English
“Just now?” asked Euryale, startled. “You would certainly not find
your betrothed alone, and since all the world knows of Caracalla’s
intentions, and gazes curiously after you, your visit would instantly
be reported to Caesar. Nor is it advisable for you to present yourself
before your offended lover, when you have neither Andreas nor any one
else to speak for you and take your part.”
Melissa burst into tears, but the matron drew her to her and continued
tenderly:
“You must give that up--but, Alexander, do you go to your friend, and be
your sister’s mouthpiece!”
The artist consented with all the ardor of brotherly affection, and
having received from Melissa, whose courage began to rise again, strict
injunctions as to what he was to say to her lover, he departed on his
errand.
Wholly absorbed by the stormy emotions of her heart, the maiden had
forgotten time and every external consideration; but the lady Euryale
was thoughtful for her, and now led her to her chamber to have her hair
dressed for the Circus. The matron carefully avoided, for the present,
all mention of her young friend’s flight, though her mind was constantly
occupied with it--and not in vain.
The skillful waiting-woman, whom she had bought from the house of
the priest of Alexander, who was a Roman knight, loosened the girl’s
abundant brown hair, and, with loud cries of admiration, declared it
would be easy to dress such locks in the most approved style of fashion.
She then laid the curling-irons on the dish of coals which stood on a
slender tripod, and was about to twist it into ringlets; but Melissa,
who had never resorted to such arts, refused to permit it. The slave
assured her, however, as earnestly as if it were a matter of the highest
importance, that it was impossible to arrange the curls of a lady of
distinction without the irons. Euryale, too, begged Melissa to allow it,
as nothing would make her so conspicuous in her overdressed surroundings
as excessive simplicity. That was quite true, but it made the girl
realize so vividly what was before her, that she covered her face with
her hands and sobbed out:
“To be exposed to the gaze of the whole city--to its envy and its
scorn!”
The matron’s warning inquiry, what had become of her favorite’s
high-minded calm, and her advice to restrain her weeping, lest she
should appear before the public in the Amphitheater with tear-stained
eyes, helped her to compose herself.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account