A Thousand and One Afternoons in ChicagoHecht, Ben
General
A Thousand and One Afternoons in Chicago
Hecht, Ben
Chicago (Ill.) -- Literary collections; Hecht, Ben, 1893-1964 -- Homes and haunts -- Illinois -- Chicago
There were people gathered around an automobile that had bumped into the
curbing. I stopped to watch them, he says. There was a man next to me with
a heavy gray face, with loose lips and with intent eyes. There was another
man and another--dozens of men--all of them people who had been hurrying
in the street to get somewhere. And here they were standing and looking
intently at an automobile with a twisted wheel.
I became aware that we were all looking with a strange intensity at this
automobile; that we all stood as if waiting for something. Dozens of men
hurrying somewhere suddenly stop and stand for ten, twenty, thirty minutes
staring at a broken automobile. There was a reason for this. Always where
there is a machine at work, digging or hammering piles, where there is a
horse fallen, an auto crashed, a flapjack turner, a fountain pen
demonstrator; where there is a magic clock that runs, nobody knows how, or
a window puzzle that turns in a drug-store window or anything that moves
behind plate glass--always where there is any one of these things there
are people like us standing riveted, attentive, unwavering.
People on artificial errands, hurrying like obedient automations through
the streets; stern-faced people with dignified eyes, important-stepping
people with grave decision stamped upon them; careless, innocuous-looking
people--all these people look as if they had something in their heads, as
if there were things of import driving them through the streets. But this
is an error. Nothing in their heads. They are like the fish that swim
beneath the water--a piece of shining tin captures their eyes and they
pause and stare at it.
The broken automobile holds their eyes, holds them all riveted
because--because it is something unordinary to look at, to think about.
And there is nothing unordinary to look at or think about in their heads.
* * * * *
And I too, he says, on this day when the wind played cello music across
the rooftops, stood in the crowd. We were all children, I noticed, more
than that--infants. Open-mouthed infantile wonder staring out of our
tired, gray faces. Men, without thought, men making a curious little
confession in the busy street that they were not busy, that there is
nothing in life at the moment that preoccupies them--that a broken
automobile is a godsend, a diversion, a drama, a great happiness.
I smoked my pipe, he says, and began to wonder again. Why did they stare
like this? And at what? And who were these staring ones? And what was it
in them that stared? I thought of this, he says. Dead dreams, and
forgotten defeats stood staring from the curb at the broken automobile.
Men who had survived themselves, who had become compliant and automatic
little forces in the engine of the city--these were ourselves on the curb.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account