A Thousand and One Afternoons in ChicagoHecht, Ben
General
A Thousand and One Afternoons in Chicago
Hecht, Ben
Chicago (Ill.) -- Literary collections; Hecht, Ben, 1893-1964 -- Homes and haunts -- Illinois -- Chicago
Tired little dreams, worth almost the four bits. Do you remember other
audiences, madam? As we remember other dancers? Do you recall the gay,
dark glow of ornate auditoriums, and do you remember when you were young
and there were many tomorrows? As we do? Oh, dearie, dearie, how mah heart
grows weary, waitin' for mah baby for to come back home. Very good, madam.
Although the voice is a bit cracked. Now dance. Lumber across the stage in
your purple tights, wiggle around in your sultana's toque. That's the
baby. And kick your legs at us as you exit. Ah, what a kick! But never
mind. It is quite good enough for us. And--it reminds us.
* * * * *
We applaud. Does the noise sound ghastly? What is it we applaud? God
knows. But applause is a habit. One applauds in a theater. How does it
sound in the wings to you, madam, our applause? Rather meaningless, eh?
And not interesting at all? Ah, we forgive you for that, for not feeling a
great thrill at our applause. Nevertheless, it is a rather piquant thing,
our applause. Considering how cold it is outside, how long winter is in
passing. Considering how cheerless the buildings look.
Put on the red ball gown and come out and crack jokes with the
hop-headed-looking juvenile lead. Greetings, madam. How marvelous you look
in this ball gown! Ah, indeed! You were walking down the street the other
day and chanced to meet. Hm, we've heard that joke, but we'll laugh again.
Matrimony. I'll tell you what marriage is. A lottery. Yes, we've heard
that one, too. Accept our laughter, nevertheless.
Your jokes, madam, are neither young nor refined. But--neither are we. And
your wit is somewhat coarse and pointless. But so are we. And your voice
is a trifle tired and cracked and loud. But so is our laughter. We are
even, quite even, madam. If you were better once, so were we. If you
remember sweeter laughter, why we remember more charming jests. Go on,
Dolores, our lady of jokes, you're worth the four bits.
* * * * *
Now the street seems a bit colder because it was warmer in the theater.
Where do we go from here? Up and down, up and down the old street. A very
pleasant afternoon. Spent in laughter and applause. Once there was booze
for a nickel and a dime. But it was found necessary to improve the morals
of the nation. No booze today.
That is quite a brave photograph of you outside the theater, madam. The
Dancing Venus. If we had tears we would shed them. The Dancing Venus,
indeed! We smile as you smiled yourself when you saw it for the first
time. But--good-by. Master Francois Villon sang it all long ago.
Yesterdays, yesterdays, here is a street of yesterdays.
And we, the tired ones, the brutal-faced, bitter-eyed ones, the beaten
ones--we walk up and down the cold street, peering at the cheerless
buildings. Life takes a long time to pass. But without changing our
bitter, brutal faces we bow this afternoon, madam, to the memory of you.
Public-domain text, read in full here on John Shaqi.
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