A Thousand and One Afternoons in ChicagoHecht, Ben
General
A Thousand and One Afternoons in Chicago
Hecht, Ben
Chicago (Ill.) -- Literary collections; Hecht, Ben, 1893-1964 -- Homes and haunts -- Illinois -- Chicago
Art is a contagious business. Perfectly normal and marvelously
wholesome-minded people are as likely to succumb to it as anybody else. It
is significant that the Purity League meeting in the city a few weeks ago
discussed the dangers which lay in exposing even decent, law-abiding
people to art, any kind of art.
The insidious influence of art cannot, as a matter of fact, be
exaggerated. I personally know of a number of very fine and highly
respected citizens who have been lured away from their very business by
art.
However, this is no place to sound the alarm. I will some day talk on the
subject before the Rotary Club. To return to Louis and Mike. After Mike
writes the vital information down in a book Louis carts the canvas over to
a truck and it is ready for the jury room.
When they started on the job Louis and Mike were frankly indifferent. They
might just as well have been unwrapping herring cases. And they were
exceedingly efficient. They unwrapped them and catalogued them as fast as
they came.
In three days, however, the workmanlike morale with which Louis and Mike
started on the job has been undermined. They have grown more leisurely.
They no longer bundle the pictures around like herring cases. Instead they
look at them, try them this way and that way until they find out which way
is right side up. Then they pass judgment.
Louis unwraps them. I was standing by in the basement with Bert Elliott,
who has submitted a modernistic picture of Michigan Avenue, the Wrigley
Building and the sky, called "Up, Straight and Across."
"'The Home of the Muskrat,'" Louis called. Mike wrote it down. "Wanna look
at it, Mike?"
"Yeah, let's see." Time out for critical inspection. "Say, this guy never
saw a muskrat house. That ain't the way."
"'Isle of Dreams,'" called Louis. "Hm! You can't tell which is right side
up. I guess it goes like this."
"No. The other," said Mike. "Try it on its side. There, I told you so.
'Isle of Dreams.' I don't see no isle."
"Here's a cuckoo," called Louis, suddenly. "'Mist.'"
"What?"
"'Mist,' it says, only 'Mist,' Mike. I'll say he missed. It ain't no
picture at all. That's a swell idee. Draw a picture in a fog and have the
fog so heavy you can't see nothing, then you don't have to put any picture
in. Can you beat it?"
"Go on. Try another."
"All right. Here's one. 'The Faithful Friend.' Now there's what I call a
picture. I knowed a guy who owned a dog that looked just like this. A
setter or something."
"Go on. That ain't a setter. It's a spaniel."
"You're cuckoo, Mike. Tell me it's a spaniel! Let's put it up ahead. It's
probably one of the prize winners. Here's a daffy one. 'At Play.' What's
at play? I don't see nothin' at play. Take a look, Mike."
"It's a sea picture. There's the sea, the gray part."
"You're nuts. Hennessey has a sea picture over the bar with some gals on
the rocks. You know the one I mean. And if this is a sea picture I'm a
orang-outang."
Public-domain text, read in full here on John Shaqi.
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