A thousand miles on an elephant in the Shan StatesHallett, Holt S. (Holt Samuel)
History
A thousand miles on an elephant in the Shan States
Hallett, Holt S. (Holt Samuel)
Laos -- Description and travel; Thailand -- Description and travel
The first thing in the morning the people take fresh pots of water to
the monasteries, and present them to the abbot and his monks; and in the
afternoon the women proceed to the temples to wash the images, and later
on freely douse their grandparents and other aged relatives. The scene
of the image-washing is highly picturesque. Before leaving home for the
temples, the women compound various perfumery from spices and flowers,
which, when duly prepared, is cast into a metal basin—sometimes of
silver—filled with fresh well-water. Newly cut flowers lie on the
surface of the water, and likewise deck the hair of the women and girls,
and even the top-knots of the little boys who accompany them.
Each woman, and even tiny little girl, bears a basin of perfumed water
in her hands, and all trip along gaily, dressed in all the finery at
their disposal, chatting and jesting merrily together, to the temple. As
they enter its grounds, which are enclosed by low white-plastered brick
walls, along two sides of which are erected sheds for the accommodation
of pilgrims, the abbot and his monks, in their bright yellow garments,
and with their bald pates glistening in the sun, may be seen strolling
amongst the pleasant shady fruit-trees. Everything has been kept neat
and trim by the pious villagers, not even a stray leaf is to be seen,
and fresh sand has been scattered about the grounds as a finishing
touch. The great white-walled temple, with its handsome many-tiered
roof, and its floor raised some feet from the ground, stands with its
door facing the entrance-gate, and a broad flight of steps, with
handsome side walls surmounted by great plastered dragons embellished
with coloured glass scales of various tints, and the bottoms of
beer-bottles for eyes, leads up to the double entrance-door.
There are no windows in the building; and therefore the only light shed
upon the great image, besides that glimmering from above, comes from the
entrance-door, which faces the shrine, and from the rows of wax tapers
which are placed on a stand before the image. On its pedestal are many
smaller images covered with gold-leaf or silver, and all intended as
resemblances of Gaudama Buddh; some depicting him in a sitting, others
in a recumbent, and a few in a standing posture. As you enter the
temple, leaving the sunshine for the dim religious light of the great
hall, you notice about the altar wreaths and garlands of lovely flowers,
fruit of various kinds, piles of newly made yellow robes which have been
woven by the women, new mats, and various other offerings, that have
been made to the temple and the monks.
The offerings not required, are supposed to be sold by the layman
attached to the monastery, and the money given to the sick and needy.
The monasteries, I may here remark, serve as refuges for poor
travellers, who are welcome at all times to shelter and food as long as
they conduct themselves properly.
[Illustration:
_Punishments in the Buddhist hells._
]
Public-domain text, read in full here on John Shaqi.
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