Egypt -- Description and travel; Egypt -- History -- 19th century; Nile River -- Description and travel
For the Egyptians, it seems, used potsherds instead of papyrus for short
memoranda; and each of these fragments which we had picked up contained
a record complete in itself. I fear we should have laughed if any one
had suggested that they might be tax-gatherers’ receipts. Yet that is
just what they were--receipts for government dues collected on the
frontier during the period of Roman rule in Egypt. They were written in
Greek, because the Romans deputed Greek scribes to perform the duties of
this unpopular office; but the Greek is so corrupt and the penmanship so
clownish that only a few eminent scholars can read them.
Not all the inscribed fragments found at Elephantine, however, are
tax-receipts, or written in bad Greek. The British Museum contains
several in the demotic, or current, script of the people, and a few in
the more learned hieratic, or priestly, hand. The former have not yet
been translated. They are probably business memoranda and short private
letters of Egyptians of the same period.
But how came these fragile documents to be preserved, when the city in
which their writers lived, and the temples in which they worshiped, have
disappeared and left scarce a trace behind? Who cast them down among
the potsherds on this barren hillside? Are we to suppose that some kind
of public record office once occupied the site, and that the receipts
here stored were duplicates of those given to the payers? Or is it not
even more probable that this place was the Monte Testaccio of the
ancient city, to which all broken pottery, written as well as unwritten,
found its way sooner or later?
With the exception of a fine fragment of Roman quay nearly opposite
Assûan, the ruined gateway of Alexander and the battered statue of
Menephtah are the only objects of archæological interest in the island.
But the charm of Elephantine is the everlasting charm of natural
beauty--of rocks, of palm-woods, of quiet waters.
The streets of Assûan are just like the streets of every other mud town
on the Nile. The bazaars reproduce the bazaars of Minieh and Siût. The
environs are noisy with cafés and dancing-girls, like the environs of
Esneh and Luxor. Into the mosque, where some kind of service was going
on, we peeped without entering. It looked cool, and clean, and spacious;
the floor being covered with fine matting, and some scores of
ostrich-eggs depending from the ceiling. In the bazaars we bought
baskets and mats of Nubian manufacture, woven with the same reeds, dyed
with the same colors, shaped after the same models, as those found in
the tombs at Thebes. A certain oval basket with a vaulted cover, of
which specimens are preserved in the British Museum, seems still to be
the pattern most in demand at Assûan. The basket-makers have neither
changed their fashion nor the buyers their taste since the days of
Rameses the Great.
Public-domain text, read in full here on John Shaqi.
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