Egypt -- Description and travel; Egypt -- History -- 19th century; Nile River -- Description and travel
There are in the British Museum, the Louvre, and the Bibliothèque
Nationale, some much older papyri than these two letters of the Leyden
collection--some as old, indeed, as the time of Joseph, but none,
perhaps, of such peculiar interest. In these, the scribes Kauiser and
Keniamon seem still to live and speak. What would we not give for a few
more of their letters! These men knew Memphis in its glory and had
looked upon the face of Rameses the Great. They might even have seen
Moses in his youth while yet he lived under the protection of his
adopted mother, a prince among princes. Kauiser and Keniamon lived, and
died, and were mummied between three and four thousand years ago; yet
these frail fragments of papyrus have survived the wreck of ages, and
the quaint writing with which they are covered is as intelligible to
ourselves as to the functionaries to whom it was addressed. The
Egyptians were eminently business-like, and kept accurate entries of the
keep and labor of their workmen and captives. From the earliest epoch of
which the monuments furnish record, we find an elaborate bureaucratic
system in full operation throughout the country. Even in the time of the
pyramid-builders, there are ministers of public works; inspectors of
lands, lakes, and quarries; secretaries, clerks, and overseers
innumerable.[93] From all these, we may be sure, were required strict
accounts of their expenditure, as well as reports of the work done under
their supervision. Specimens of Egyptian book-keeping are by no means
rare. The Louvre is rich in memoranda of the kind; some relating to the
date-tax; others to the transport and taxation of corn, the payment of
wages, the sale and purchase of land for burial, and the like. If any
definite and quite unmistakable news of the Hebrews should ever reach us
from Egyptian sources it will almost certainly be through the medium of
documents such as these.
Public-domain text, read in full here on John Shaqi.
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