Egypt -- Description and travel; Egypt -- History -- 19th century; Nile River -- Description and travel
We now despaired of ever seeing a crocodile; and but for a trail that
our men discovered on the island opposite, we should almost have ceased
to believe that there were crocodiles in Egypt. The marks were quite
fresh when we went to look at them. The creature had been basking high
and dry in the sun, and this was the point at which he had gone down
again to the river. The damp sand at the water’s edge had taken the mold
of his huge fleshy paws, and even of the jointed armor of his tail,
though this last impression was somewhat blurred by the final rush with
which he had taken to the water. I doubt if Robinson Crusoe, when he saw
the famous footprint on the shore, was more excited than we of the Philæ
at sight of this genuine and undeniable trail.
As for the idle man, he flew at once to arms and made ready for the
fray. He caused a shallow grave to be dug for himself a few yards from
the spot; then went and lay in it for hours together, morning after
morning, under the full blaze of the sun--flat, patient, alert--with his
gun ready cocked, and a Pall Mall Budget up his back. It was not his
fault if he narrowly escaped sunstroke and had his labor for his reward.
That crocodile was too clever for him and took care never to come back.
Our sailors, meanwhile, though well pleased with an occasional holiday,
began to find Abou Simbel monotonous. As long as the Bagstones stayed,
the two crews met every evening to smoke, and dance, and sing their
quaint roundelays together. But when rumors came of wonderful things
already done this winter above Wady Halfeh--rumors that represented the
second cataract as a populous solitude of crocodiles--then our faithful
consort slipped away one morning before sunrise and the Philæ was left
companionless.
At this juncture, seeing that the men’s time hung heavy on their hands,
our painter conceived the idea of setting them to clean the face of the
northernmost colossus, still disfigured by the plaster left on it when
the great cast[121] was taken by Mr. Hay more than half a century
before. This happy thought was promptly carried into effect. A
scaffolding of spars and oars was at once improvised, and the men,
delighted as children at play, were soon swarming all over the huge
head, just as the carvers may have swarmed over it in the days when
Rameses was king.
All they had to do was to remove any small lumps that might yet adhere
to the surface, and then tint the white patches with coffee. This they
did with bits of sponge tied to the ends of sticks; but Reïs Hassan, as
a mark of dignity, had one of the painter’s old brushes, of which he was
immensely proud.
Public-domain text, read in full here on John Shaqi.
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