Egypt -- Description and travel; Egypt -- History -- 19th century; Nile River -- Description and travel
Ten years ago nothing was visible of the great Temple of Edfu save the
tops of these pylons. The rest of the building was as much lost to sight
as if the earth had opened and swallowed it. Its court-yards were choked
with foul débris. Its sculptured chambers were buried under forty feet
of soil. Its terraced roof was a maze of closely packed huts, swarming
with human beings, poultry, dogs, kine, asses and vermin. Thanks to the
indefatigable energy of Mariette, these Augean stables were cleansed
some thirty years ago. Writing himself of this tremendous task, he says:
“I caused to be demolished the sixty-four houses which encumbered the
roof, as well as twenty-eight more which approached too near the outer
wall of the temple. When the whole shall be isolated from its present
surroundings by a massive wall, the work of restoration at Edfu will be
accomplished.”[182]
That wall has not yet been built; but the encroaching mound has been
cut clean away all round the building, now standing free in a deep open
space, the sides of which are in some places as perpendicular as the
quarried cliffs of Silsilis. In the midst of this pit, like a risen god
issuing from the grave, the huge building stands before us in the
sunshine, erect and perfect. The effect at first sight is overwhelming.
Through the great doorway, fifty feet in height, we catch glimpses of a
grand court-yard, and of a vista of doorways, one behind another. Going
slowly down, we see farther into those dark and distant halls at every
step. At the same time the pylons, covered with gigantic sculptures,
tower higher and higher, and seem to shut out the sky. The custode--a
pigmy of six foot two, in semi-European dress--looks up grinning,
expectant of backshîsh. For there is actually a custode here, and, which
is more to the purpose, a good strong gate, through which neither
pilfering visitors nor pilfering Arabs can pass unnoticed.
Public-domain text, read in full here on John Shaqi.
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