Egypt -- Description and travel; Egypt -- History -- 19th century; Nile River -- Description and travel
Take it for what it is--a Ptolemaic structure preserved in all its
integrity of strength and finish--it is certainly the finest temple in
Egypt. It brings before us, with even more completeness than Denderah,
the purposes of its various parts and the kind of ceremonial for which
it was designed. Every corridor and chamber tells its own story. Even
the names of the different chambers are graven upon them in such wise
that nothing[190] would be easier than to reconstruct the ground-plan
of the whole building in hieroglyphic nomenclature. That neither the
Ptolemaic building nor the Ptolemaic mythus can be accepted as strictly
representative of either pure Egyptian art or pure Egyptian thought,
must of course be conceded. Both are modified by Greek influences, and
have so far departed from the Pharaonic model. But then we have no
equally perfect specimen of the Pharaonic model. The Ramesseum is but a
grand fragment. Karnak and Medinet Hadu are aggregates of many temples
and many styles. Abydos is still half-buried. Amid so much that is
fragmentary, amid so much that is ruined, the one absolutely perfect
structure--Ptolemaic though it be--is of incalculable interest, and
equally incalculable value.
While we are dreaming over these things, trying to fancy how it all
looked when the sacred flotilla came sweeping up the river yonder and
the procession of Hor-Hat issued forth to meet the goddess-guest--while
we are half-expecting to see the whole brilliant concourse pour out,
priests in their robes of panther-skin, priestesses with the tinkling
sistrum, singers and harpists, and bearers of gifts and emblems, and
high functionaries rearing aloft the sacred boat of the god--in this
moment a turbaned Muëddin comes out upon the rickety wooden gallery of
the little minaret below, and intones the call to midday prayer. That
plaintive cry has hardly died away before we see men here and there
among the huts turning toward the east and assuming the first posture of
devotion. The women go on cooking and nursing their babies. I have seen
Moslem women at prayer in the mosques of Constantinople, but never in
Egypt.
Meanwhile, some children catch sight of us, and, notwithstanding that we
are one hundred and twenty-five feet above their heads, burst into a
frantic chorus of “backshîsh!”
And now, with a last long look at the temple and the wide landscape
beyond, we come down, and go to see a dismal little Mammesi three-parts
buried among a wilderness of mounds close by. These mounds, which
consist almost entirely of crude-brick debris with imbedded fragments of
stone and pottery, are built up like coral-reefs, and represent the
dwellings of some sixty generations. When they are cut straight through,
as here round about the great temple, the substance of them looks like
rich plum-cake.
CHAPTER XXI.
THEBES.
Public-domain text, read in full here on John Shaqi.
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