Egypt -- Description and travel; Egypt -- History -- 19th century; Nile River -- Description and travel
The wall-sculptures at Gournah are extremely beautiful, especially those
erected by Seti I. Where it has been accidentally preserved, the surface
is as smooth, the execution as brilliant, as the finest mediæval ivory
carving. Behind a broken column, for instance, that leans against the
southwest wall of the sanctuary,[216] one may see, by peeping this way
and that, the ram’s-head prow of a sacred boat, quite unharmed, and of
surpassing delicacy. The modeling of the ram’s head is simply faultless.
It would indeed be scarcely too much to say that this one fragment, if
all the rest had perished, would alone place the decorative sculpture of
ancient Egypt in a rank second only to that of Greece.
The Temple of Gournah--northernmost of the Theban group--stands at the
mouth of that famous valley called by the Arabs Bab-el-Molûk,[217] and
by travelers, the Valley of the Tombs of the Kings. This valley may be
described as a bifurcated ravine, ending in two _culs de sac_, and
hemmed in on all sides by limestone precipices. It winds round behind
the cliffs which face Luxor and Karnak, and runs almost parallel with
the Nile. This range of cliffs is perforated on both sides with tombs.
The priests and nobles of many dynasties were buried terrace above
terrace on the side next the river. Back to back with them, in the
silent and secret valley beyond, slept the kings in their everlasting
sepulchers.
Most travelers moor for a day or two at Karnak, and thence make their
excursion to Bab-el-Molûk. By so doing they lose one of the most
interesting rides in the neighborhood of Thebes. L---- and the writer
started from Luxor one morning about an hour after daybreak, crossing
the river at the usual point and thence riding northward along the
bank, with the Nile on the one hand, and the corn-lands on the other. In
the course of such rides one discovers the almost incredible fertility
of the Thebaid. Every inch of arable ground is turned to account. All
that grows, grows lustily. The barley ripples in one uninterrupted sweep
from Medinet Habu to a point half-way between the Ramesseum and Gournah.
Next come plantations of tobacco, cotton, hemp, linseed, maize and
lentils, so closely set, so rich in promise, that the country looks as
if it were laid out in allotment grounds for miles together. Where the
rice crop has been gathered, clusters of temporary huts have sprung up
in the clearings; for the fellahîn come out from their crowded villages
in “the sweet o’ the year,” and live in the midst of the crops which now
they guard, and which presently they will reap. The walls of these
summer huts are mere wattled fences of Indian corn straw, with bundles
of the same laid lightly across the top by way of roofing. This pastoral
world is everywhere up and doing. Here are men plying the shâdûf by the
river’s brink; women spinning in the sun; children playing; dogs
barking; larks soaring and singing overhead. Against the foot of the
Public-domain text, read in full here on John Shaqi.
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