Egypt -- Description and travel; Egypt -- History -- 19th century; Nile River -- Description and travel
Memphis is a place to read about, and think about, and remember; but it
is a disappointing place to see. To miss it, however, would be to miss
the first link in the whole chain of monumental history which unites the
Egypt of antiquity with the world of to-day. Those melancholy mounds and
that heron-haunted lake must be seen, if only that they may take their
due place in the picture-gallery of one’s memory.
It had been a long day’s work, but it came to an end at last; and as we
trotted our donkeys back toward the river a gorgeous sunset was
crimsoning the palms and pigeon-towers of Bedreshayn. Everything seemed
now to be at rest. A buffalo, contemplatively chewing the cud, lay close
against the path and looked at us without moving. The children and
pigeons were gone to bed. The pots had baked in the sun and been taken
in long since. A tiny column of smoke went up here and there from amid
the clustered huts; but there was scarcely a moving creature to be seen.
Presently we passed a tall, beautiful fellah woman standing grandly by
the wayside, with her veil thrown back and falling in long folds to her
feet. She smiled, put out her hand, and murmur’d “bakhshîsh!” Her
fingers were covered with rings and her arms with silver bracelets. She
begged because to beg is honorable, and customary, and a master of
inveterate habit; but she evidently neither expected nor needed the
bakhshîsh she condescended to ask for.
A few moments more and the sunset has faded, the village is left behind,
the last half-mile of plain is trotted over. And now--hungry, thirsty,
dusty, worn out with new knowledge, new impressions, new ideas--we are
once more at home and at rest.
CHAPTER V.
BEDRESHAYN TO MINIEH.
It is the rule of the Nile to hurry up the river as fast as possible,
leaving the ruins to be seen as the boat comes back with the current;
but this, like many another canon, is by no means of universal
application. The traveler who starts late in the season has, indeed, no
other course open to him. He must press on with speed to the end of his
journey, if he would get back again at low Nile without being
irretrievably stuck on a sand-bank till the next inundation floats him
off again. But for those who desire not only to see the monuments, but
to follow, however superficially, the course of Egyptian history as it
is handed down through Egyptian art, it is above all things necessary to
start early and to see many things by the way.
Public-domain text, read in full here on John Shaqi.
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