A Touch of Sun, and Other StoriesFoote, Mary Hallock
General
A Touch of Sun, and Other Stories
Foote, Mary Hallock
United States -- Social life and customs -- 20th century -- Fiction
He goes, and gets in position, and Kitty makes some pencil-marks on the
margin of her sketch. Then she waves her hands to tell him, across the
shouting current, that she is done with him. She has been so quick that
he thinks he must have mistaken her gesture. Then Harshaw makes the
train-conductor's signal for the train to move on.
"You see," she says to Harshaw and me, who are looking over her shoulder,
"_that_ would be the size of him in my sketch." She points to the marginal
pencil-mark, which is not longer than the nib of a stub-pen. "I can't make
a little black dot like that look like a man."
"In this particular sketch, for his purpose, he'd rather look like a dot
than a man, I dare say," said Harshaw.
"Well, shall I put him in? I can make a note of it on the margin: 'This
black dot is Mr. Daly, standing at the spring-head. He is six feet'"--
"But he isn't, you know," Harshaw says. "He's five feet ten--if he's that."
"Ten and a half," I hasten to amend.
Our lunch that day had been left in the boat. We went down and ate it
under the mountain birches at a spot where the Snow Bank empties into the
lagoon--not _our_ lagoon, as we called it, between our camp and the lovely
Sand Springs Fall, but the upper one, made by the springs themselves,
before their waters reach the river. In front of us, half embraced by the
lagoon and half by the river, lay a little island-ranch of about ten acres,
not cut up in crops, but all over green in pasture. A small cabin, propping
up a large hop-vine, showed against a mass of birch and cottonwood on the
river side of the island.
"What a place for a honeymoon!" said I.
"There is material there for half of a honeymoon," said Tom--"not bad
material, either."
"Oh, yes," I said; "we have seen her--that is, we have seen her sunbonnet."
"Kitty, you've got a rival," I exclaimed: for there in the sunny centre of
the island, planted with obvious design right in front of the Snow Bank,
_our_ Snow Bank, was an artist's big white umbrella.
"Why should I not have, in a place like this?" she said. "If the schemers
arrive by twos, why not two of my modest craft? _We_ shall leave it as we
find it; we don't intend to carry it away in our pockets." She stopped, and
blushed disdainfully. "I forgot," she murmured, "my own mercenary designs."
"I have not heard of these mercenary designs of yours. What are they, may
I ask?" Harshaw had turned on his side on the grass, and half rose on one
elbow as he looked at her.
"That is strange," mocked Kitty, with supreme coldness. "You have always
been so interested in my affairs!"
"I always shall be," he replied seriously, with supreme gentleness.
"I ought to be so grateful."
"But unfortunately you are not."
"I should be grateful--if you would move a little farther to the right, if
you please. That young person in the pink sunbonnet is coming down to water
her horses again."
Public-domain text, read in full here on John Shaqi.
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