A great platform, in the center of the court, houses, beneath a gorgeous canopy, an immense black granite image of a bull, the favorite animal of Siva, carved out of a single block sixteen feet long and twelve feet high, and kept perpetually shining by anointings of holy oil. The imagination of the worshiper is thus excited by successive statues and pictures, until at last he reaches the tremendous pyramidal tower, or gopura, which portrays and symbolizes the power of the heathen god to destroy and to recreate. That massive tower, superimposed above the idol and forming its magnificent abiding-place, has no superior in all India for grandeur. Mr. Fergusson, the distinguished writer on architecture, calls it the most beautiful and effective of all the towers found in Dravidian temples. The sculptures in the long and dimly lighted corridors at the base of the temple, and in the first tiers of the tower, are wonderfully realistic representations of a sensual and ferocious deity. But, as you stand in the court, and look up the sides of the tower to the gilded pinnacle on its dome, you discover that all the upper rows of gods and demons are of stucco. Money evidently gave out, as the structure rose, and plaster took the place of stone. The appurtenances of the temple are tawdry and childish. Huge cars, in which images of the gods are carried about at times of festival, stand in the courtyard. Each car has its bejeweled beast for the god or goddess to ride--a wooden elephant, a wooden bull, a wooden rat--each with trappings of many-colored glass, to imitate rubies and diamonds, and each with its escort of dusky priests, not forgetting to follow the foreign visitor and hold out their hands for alms. Yet in these corridors there were prostrated many absorbed and eager worshipers, seeking protection or aid from a deity more demonlike than divine. One's heart grew sick as he realized that, still in these latter days, The heathen in his blindness Bows down to wood and stone, and worships in a temple which exhibits in its halls a hundred immense images of the male organ of generation.