The depression of mind which his early disappointments excited, never quitted this great artist: a few hours before he died, he ordered a box filled with his studies and designs to be burned, saying, “I was so long unrewarded for my labours, that I wish to prevent my son from being allured by these designs, to embrace so unpromising and uncertain a profession as mine.” The works of Wouvermans and Bamboccio were continually placed in competition by the best judges of art, and the latter having painted a picture which was much admired, John de Wilt prevailed upon Wouvermans to paint the same subject, which he executed in a brilliant manner: these pictures were soon afterwards exhibited together to the public, and De Wilt, when the room in which they were placed, was exceedingly crowded, exclaimed in a loud voice, “all our connoisseurs seem to prefer the works of those painters who have studied at Rome; but behold how far the work of Wouvermans who never saw Rome, surpasses the production of him who resided there several years.” This observation, which was received with general approbation, and seemed to receive the fiat of the company, so deeply affected the delicate spirits of Bamboccio, that it largely contributed to hurry him to his grave. The justly celebrated Nicholas Berghem, was born here in 1624, and studied under his father, an inconsiderable painter, whose name was Van Haarlem, which Berghem exchanged in the following whimsical manner: whilst he was a pupil of John Van Goyen, who was very fond of him, his father was one day pursuing him in the street, to give him correction for some peccadillo, when his master seeing his father gaining upon him rapidly, cried out to some of his other scholars, Berg-hem! which signifies hide him; from which circumstance he obtained and kept that name. The distinguishing characteristics of Berghem’s pictures are breadth, and just distribution of the lights, the grandeur of his masses of light and shadow, the natural attitudes of his figures expressive of their several characters, the just gradation of his distances, the brilliancy, harmony, and transparency of his colouring, the correctness and true perspective of his design, and the elegance of his composition, and his subjects however various are all equally admirable. This great man had the calamity and the infatuation to make an offer of his hand and heart to the daughter of one of the masters under whom he studied, when he left Van Goyen, of the name of Willis, who proved to be one of the most clamorous and sordid termagants that Holland, or perhaps any other country ever produced; by the terror of her tongue, and the fury of her manner, she forced him to slave at his easel without intermission, from the break to the departure of day, and frequently all night long, without permitting him to have the disposal of a single guilder without her consent: amidst this domestic broil, poor Berghem