The Burgomasters’ apartment is forty-five feet broad and thirty deep, and is in my opinion the handsomest room in the Stadt-house. The marble chimney-pieces are enriched with many exquisitely sculptured basso-relievos by De Wit; but its chief ornament is two paintings; one by Ferdinand Bol, representing Curius at his rural repast; and the other, Fabricius in the camp of Phyrrhus, by Flink. From this room there is a passage to the Execution Chamber, or _the Chamber of the last Prayers_, where criminals condemned to death take leave of their priest, and pass through a window, the lower part of which is of wood, to enable its being opened level with the floor to the scaffold, which is constructed on the outside, opposite to the weigh-house, and which is raised as high as this part of the building. There is nothing in this room worthy of notice, except its melancholy appropriation. From this room we were conducted to the council chamber, which is forty-five feet wide and thirty deep, where there is a very large painting by Jacob de Wilt, representing Moses and the seventy elders of Israel. Above the chimney-piece to the north is a very fine picture by Flink, the subject Solomon imploring heaven for wisdom. Above this is a scriptural subject, a noble production, from the pencil of Bronkhorst. Some of the basso-relievos which adorn various parts of this room, sculptured by De Wit, are exquisitely fine, particularly a hive of bees, a clock, a sieve and a lamp, a pen and ink-horn. It would puzzle a magician to interpret many of the allegorical devices, but they are all beautifully executed.