At Utrecht was also born, in 1459, pope Adrian VI. to whom the emperor Maximilian entrusted the education of his son, Charles the Fifth, and who afterwards filled the pontifical throne with piety and learning, with dignity and mildness: this distinguished personage, after having acquired his classical knowledge at the university of this city, and his philosophical at the college of Louvain, received the degree of doctor in divinity in 1491, the expense of which he was unable to sustain, and which was defrayed by Margaret, sister to Edward IV. of England. I was informed that the house he resided in, a fine Gothic building, was still standing, and that it was adorned with several curious basso-relievos, but time would not permit me to visit the venerable remains. This city had also the honour of producing the Chevalier Antonio More, who was born here in 1519, where he studied under John Schoorel, with whom, having made considerable progress, he improved himself in design at Rome, and in the true principles of colouring at Venice: one of his historical compositions, from the subject of the Resurrection, was in such high estimation as to be publicly exhibited at the fair at St. Germains, before it was purchased by the prince of Condé. More has the reputation of having imitated nature very closely and happily; his manner is strong, just, and bold, and in his portraits there is great character and life. He was much esteemed by the emperor Charles V. and was by him sent to Portugal to paint the portraits of the king, the queen, who was the sister of the emperor, and their daughter, afterwards the queen of Spain. For these portraits he received six hundred ducats, and many valuable presents; and to show their admiration of his talents, the Portuguese nobility presented him, in the name of that order, with a chain of gold valued at a thousand ducats. He was employed by most of the princes of Europe, and at every court his paintings excited universal applause. Queen Mary the First of England, presented him with a chain of gold and a pension. Upon his quitting London and settling in Spain, a singular circumstance befel him: one day as the king, who was very fond of him, and his great patron, was talking to him in a very familiar manner, he gave More in jocularity a sharp tap on the arm, which the irritable painter mistaking for indignity, instead of an act of good humour and condescension, resented by striking the king with his maulstick: a folly which had nearly in its consequence proved fatal to him, and which compelled him to quit the country with all possible celerity. His last work was the Circumcision, intended for the cathedral church at Antwerp, but which he did not live to finish.