A Tour Through South AmericaForrest, A. S. (Archibald Stevenson)
History
A Tour Through South America
Forrest, A. S. (Archibald Stevenson)
South America -- Description and travel
The power house stands below a reservoir, which is connected by three
enormous iron pipes with the dam 2200 feet higher up the river. Two of
these pipes are twelve feet in diameter, the remaining one fifteen feet,
and through them the water rushes to feed the reservoir immediately
above the station. Short, thick pipes lead the water into the seven
large turbine generators which together develop over thirty thousand
horse-power. The current generated is received at a pressure of 2300
volts and transformed to 40,000 for transmission across the twenty-two
miles of line to the city, where it is again transformed at the
distributing station to a voltage suitable to the requirements of
consumers. All along the river’s banks the natives were early taught by
the Jesuits to construct small water-mills for crushing their sugar
cane, and although these primitive “power stations” still exist in
considerable numbers, the owners of them are amazed that the power they
have used for so long should be able, by passing through the turbines,
to accomplish the mighty feat of driving 200 large cars over 100 miles
of streets at almost any speed, as well as turning the heavy machinery
of factories and mills many miles away. The numerous workshops for
repairing the machinery of the station employ a small army of nearly 200
men, and the Brazilians, Spaniards, Portuguese, Italians, Germans, who
form this staff are housed in the picturesque little village of
Parnahyba, which nestles on a hill-side about a quarter of a mile away.
A typical country church stands on the sloping village square, and is
the only building of any importance in it. It is fairly well built, but
decorated with the cheap, garish ornaments that attract the untrained
eye. In front of the high altar paper flowers, in inferior china vases,
and cheap candles embellish the shrines of the velvet-robed plaster
saints. Poor lithographs, all highly coloured, mark the stations of the
cross. Confessionals, open at the top and sides, barely conceal the
priests who listen to the recital of the villagers’ lapses from grace.
Outside, groups of orange trees grow round the little bamboo dwellings,
while further down the hill the river, released from its labour at the
power house, rushes past, making a cheerful music. The trees harbour
birds of myriad hues, the
[Illustration: THE POWER STATION.]
Public-domain text, read in full here on John Shaqi.
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