Through long ranges of Gothic pillars and arches, some displaying all the exquisite workmanship of their clustered shafts, while others are hung with shadowy festoons of ivy, or lightly decorated with its waving tendrils, the eye passes; and, for a moment arrested by the lofty arches rising in the middle of the structure that formerly supported the tower, it glides to the grand window at the termination of the ruin. Beyond this aperture, distinguished by a shaft of uncommon lightness springing up the middle, some wild wooded hills on the opposite side of the Wye rear their dusky summits, and close the scene with much congenial grandeur. The ruin is generally in a high state of preservation; the outer walls are perfect; and the elegant tracery of the west window above the entrance has not suffered in one of its members. A singular circumstance of this ruin, and to which may be ascribed its superior effect, is, that the fallen roof and all the other rubbish have been removed to the original level of the pavement by order of the Duke of Beaufort, and a greensward smooth as a bowling-green extended throughout. Hence all the parts rise in their original and due proportion, and with an undisturbed effect. At the same time, the uniformity of a lawn-like surface is diversified with several clunks; consisting of broken columns, cornices, and the mutilated effigies of monks and heroes, {268} whose ashes repose within the walls: Light branching trees start from their interstices, and throw a doubtful shadow over the sculptured fragments. Tintern Abbey is cruciform; The length of the nave and choir is two hundred and thirty feet; their width, thirty-three; and it is a hundred and sixty feet to the extremes of the transept. It was founded for Cistercian monks by Walter de Clare, anno 1131; and in 1238, according to William of Worcester, the abbot and monks entered the choir, and celebrated the first mass at the high altar. It is probable, that only that part of the building was then competed, as the other parts the church are of a later style of architecture; and it was no uncommon thing for the choir to be built and consecrated before the rest of the structure was finished.