The whole gave to the marriage that was being celebrated in the old
oratory of the ancient palace of an aged prince by a Gallophobe priest a
fantastic character that was both delightful and droll. The ultra-modern
Corancez kneeling with the descendants of the doges with Don Fortunato
to bless them, in a setting of the sixteenth century, was one of those
paradoxes that only nature dare present, so pronounced are they as to be
almost incredible! And equally incredible was the simple-mindedness of
the abbé, the impassioned worshipper of Count Camillo. He rolled out a
little oration to the young _fiancés_ before uniting them. This oration
was in French, a condescension he had determined upon making, in spite
of his political hatreds, for the sake of the foreigner to whom he was
to marry his dear marchesa.
"Noble lady! Honored sir! I do not intend to say much.--Tongueless birds
furnish no auguries.--Sir, you are going to marry this dear lady in the
presence of God. In thus consecrating the union of a great Venetian name
with that of a noble French family, it seems as though I were asking
once more for the blessing of Him Who can do all things, that I were
appealing to Him to consecrate the friendship between two countries
which ought to be only one in heart; I mean, my lady, our dear Italy,
and your beautiful France, my lord!--Italy resembles that figure painted
by a master, a genius, upon the wall of this chapel. It is from her that
proud Spain and brilliant France, two young branches of the Latin race,
have sprung as from a fruitful vine. The same vigorous sap courses
through the veins of the three nations. May they be reunited some day!
May the mother once more have her two daughters by her side! May they be
united some day as they are already by the relationship of their
languages, by the communion of their religion! May they be bound
together by a bond of love that nothing can break, such as is going to
unite you, my dear lord and lady! Amen!"
"Did you hear him?" Corancez asked Hautefeuille an hour later.
The _Ita missa est_ had been spoken; the solemn "I will" had been
exchanged, and the luncheon--including the mullet that surpassed those
of Leghorn--had been brought to an end amid toasts, laughter, and the
reading of the epithalamium upon which Don Fortunato had worked so long
and so patiently. The entire company had adjourned to the gallery for
coffee, and the two young men were chatting in the angle of a window
close to the repaired Artemis.
Public-domain text, read in full here on John Shaqi.
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