This unfortunate singularity of his nature would, under any
circumstances, have made a meeting with Madame de Carlsberg very
painful, even though the dearest friend of his youth had not been
concerned in it. And he would never have heard that his friend loved
without being deeply moved. He knew he was so tender-hearted, so
defenceless, so vulnerable! Here, again, he was the victim of a
retrospective sensitiveness. Friendship carried to the extreme point
that his feeling for Hautefeuille occupied is a sentiment of the
eighteenth rather than of the thirty-second year. In the first flush of
youth, when the soul is all innocence, freshness, and purity, these
fervent companionships, these enthusiasms of voluntary fraternity, these
passionate, susceptible, absolute friendships, often appear to quickly
fade away. Later in life self-interest and experience individualize one
and isolation is unavoidable. Complete communion of soul with soul
becomes possible only by the sorcery of love, and friendship ceases to
suffice. It is relegated to the background with those family affections
that once also occupied a unique place in the child and in the youth.
Certain men there are, however, and Olivier was one of the number, upon
whom the impression made by friendships about their eighteenth year has
been too deep, too ineffaceable, and, above all, too delicate, to be
ever forgotten, and even to be ever equalled. It remains an incomparable
sentiment. These men, like Olivier, may pass through burning passions,
suffer all the feverish shocks of love, be bruised in the most daring
intrigues, but the true romance of their sensitive natures is not to be
found in these passions. It is to be found in those hours of life when,
in thought, they project themselves into the future with an ideal
companion, with a brother that they have chosen, in whose society they
realize for an instant La Fontaine's sublime fable, the complete union
of mind, tastes, hopes:--
"And one possess'd nothing that the other did not share."
Public-domain text, read in full here on John Shaqi.
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