Olivier continued to seek indications disclosing the identity of the
woman he loved in his conversation, in the expression on Pierre's face,
in the least important words of the three speakers. Berthe, who had
hardly deigned to reply to Corancez's attempts to interest her, now
appeared absorbed in contemplation of the beautiful view across the sea.
The afternoon was drawing to its close. The sheets of blue and violet
water slumbered in the indented coast. The foam tossed about, appearing
and disappearing around the big wooded promontories. And on the other
side, shutting in the horizon, beyond the deep mountains, were outlined
the white sierras of the snowclad peaks.
But the young woman's self-absorption was but in appearance. And if
Olivier had not been too startled by the sound of a name suddenly
mentioned he must have seen that the name also made a shudder run
through his wife.
"Are you dining at the Villa Helmholtz to-morrow?" Madame Bonnacorsi
asked Hautefeuille.
"I shall go later in the evening," he replied.
"Do you know whether the Baroness Ely is at Monte Carlo to-day?" asked
Corancez.
"No," answered Hautefeuille; "she is dining with the Grand Duchess
Vera."
Simple as was the sentence, his voice trembled as he spoke. It would
have seemed to him both puerile and ignoble to attempt to hide anything
from Olivier, and it was perfectly natural for Corancez, who knew of his
relations with Madame de Carlsberg, to ask him about such a trifling
matter. But the gift of second sight seems to descend upon lovers. He
felt that his friend was watching him with a singular expression in his
eyes. And--more extraordinary still--his friend's young wife was also
observing him. The knowledge of the tender secret he carried hidden in
his heart, a sanctuary of adoration, made the glances so painful to
support that insensibly his face disclosed his feelings just
sufficiently to enable the two people spying upon him at the moment to
find food in his momentary agitation for their thoughts.
"The Baroness Ely?--Why, that is the name on the portrait!"--How was it
possible for Berthe to avoid the rapid reflection? And then she thought:
"Can this woman be at Cannes? How embarrassed both Olivier and Pierre
look!"
As for Olivier, he thought: "He knows all about her movements.--How
naturally Corancez asked him about her!--That is just the tone such
people adopt in speaking with you about a woman with whom you have a
_liaison_.--And yet, is it possible there is such a _liaison_?"
Public-domain text, read in full here on John Shaqi.
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