Alas! The unhappy youth did not even know himself. He was not capable of
finding his way among the maze of ideas and of contradictory impressions
that crowded, jostled, and succeeded each other in his soul. If he had
been able to leave Cannes at once, this interior tumult might have been
less intense. It was the only plan to be followed after the vow that
Olivier and he had exchanged. They ought to have gone away, to have put
distance and time and events between them and the woman they both loved,
and that they had sworn to give up to their friendship. But what can the
will do, no matter what its strength, against imagination, sentiment,
against the emotion in the troubled depths of the heart? We are only
masters of our acts. We cannot govern our dreams, our regrets, and our
desires. They awake, quiver, and increase by themselves. They bring back
memories until recollection becomes an obsession. All the charm of
looks, of smiles, of a face, all the splendor of outline, the beauty of
form of a beloved creature, is made a living reality, and the old fever
once more burns in our veins. The mistress whom we have abandoned stands
before us. She wishes for us, she calls for us, she recovers possession
of us. And if we are in the same city with her, if it only requires a
quarter of an hour's walk to see her again, what courage is needed in
order not to yield!
Pierre and Olivier felt the necessity of this saving flight, and they
had taken a resolution to go away. Then an unfortunate event kept them
in the hotel. As the secretary had told Louise Brion, Madame du Prat was
really ill. She had felt the influence of a shock too great for her
strength, and she could not recover from it. A weakness of the heart
remained, of such intensity that even when she could leave her bed and
stand erect, the least movement brought on palpitations that seemed to
suffocate her. The doctor studying her case forbade her to even attempt
to travel for several days.
Public-domain text, read in full here on John Shaqi.
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