Having resigned herself to the inevitable, Enid characteristically cast
about for means to extract what comfort she could out of her cheerless
surroundings. The materials at hand were not very promising, the
contents of the grotto consisting of a broken lawn-mower, some empty
kegs that had held patent manure, and a few obsolete garden tools. But
she now noted, what she had missed before, a bench at the far end,
running the whole breadth of the grotto. Upon it lay a lot of matting,
such as is used for protecting cucumber frames in frosty weather.
"I'm in luck's way at last," she muttered. "That'll make a ripping sofa
on which to take it easy till I'm let out of durance vile."
Suiting the action to the word, she moved one or two of the upper mats
more to her liking, and then stretched her lithe young frame luxuriously
on the improvised couch. In a moment she was on her feet again, staring
in dismay at her hastily vacated nest, while every nerve in her body
tingled with apprehension.
Something had moved--"squirmed," she called it afterwards--beneath the
mats. Something soft and yielding, horribly suggestive of a human body
discomfited by her weight.
But there was no further movement. Relieved of its incubus, the thing
that had wriggled its dumb protest had reverted to its previous
quiescence, and was as uncannily still as it had been all the time she
had been in the grotto. Enid felt that she must do one of two
things--either scream at the top of her voice, or fathom the mystery of
what, or who, it was that lay concealed.
She was no screamer, so screwing up her lips tightly she chose the
second course. A few vigorous tugs sent the mats flying hither and
thither, and disclosed a man lying prone upon his face on the wooden
seat, flattened out like a gigantic lizard. Enid shrank back a little as
the figure rose slowly, uncoiling its cramped limbs and peering and
blinking up at her. Intuitively she recoiled further still when she saw
the ferocity in the haggard eyes.
But even as she looked the fierceness died out, giving place to an
expression of patient sadness. The man, who was clad in a cotton blouse
and blue jean trousers, made a half-respectful, half-deprecating
gesture.
"Ah, so it is not Louise," he said gently in French. "So much the better
for the traitress, and for me, perhaps." Then he added in broken
English, "Ma'amselle must not be frighted. I do her no harm. I only poor
sailor man from onion ship, come in naice cool place for rest."
Public-domain text, read in full here on John Shaqi.
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