Americans -- Europe -- History -- 20th century; Dreiser, Theodore, 1871-1945 -- Travel -- Europe; Europe -- Description and travel
Maria Bastida was a most interesting type. She was a Diana for size,
pallid, with a full rounded body. Her hair was almost flaxen and her
hands large but not unshapely. She seemed to be strangely world-weary
and yet strangely passionate--the kind of mind and body that does and
does not, care; a kind of dull, smoldering fire burning within her and
yet she seemed indifferent into the bargain. She asked me an occasional
question about New York as we dined, and though wine was proffered
she drank little and, true to her statement that she was not hungry,
ate little. She confided to me in soft, difficult German that she was
trying not to get too stout, that her mother was German and her father
Italian and that she had been visiting an uncle in Florence who was in
the grocery business. I wondered how she came to be traveling first
class.
The time passed. Dinner was over and in several hours more we would be
in Venice. We returned to our compartment and because the moon was
shining magnificently we stood in the corridor and watched its radiance
on clustered cypresses, villa-crowned hills, great stretches of flat
prairie or marsh land, all barren of trees, and occasionally on little
towns all white and brown, glistening in the clear light.
“It will be a fine night to see Venice for the first time,” I suggested.
“_Oh, oui! Herrlich! Prachtvoll!_” she replied in her queer mixture of
French and German.
I liked her command of sounding German words.
She told me the names of stations at which we stopped, and finally she
exclaimed quite gaily, “Now we are here! The Lagoon!”
I looked out and we were speeding over a wide body of water. It
was beautifully silvery and in the distance I could see the faint
outlines of a city. Very shortly we were in a car yard, as at Rome and
Florence, and then under a large train shed, and then, conveyed by an
enthusiastic Italian porter, we came out on the wide stone platform
that faces the Grand Canal. Before me were the white walls of marble
buildings and intervening in long, waving lines a great street of
water; the gondolas, black, shapely, a great company of them, nudging
each other on its rippling bosom, green-stained stone steps, sharply
illuminated by electric lights leading down to them, a great crowd of
gesticulating porters and passengers. I startled Maria by grabbing her
by the arm, exclaiming in German, “Wonderful! Wonderful!”
“_Est ist herrlich_” (It is splendid), she replied.
We stepped into a gondola, our bags being loaded in afterwards. It was
a singularly romantic situation, when you come to think of it: entering
Venice by moonlight and gliding off in a gondola in company with an
unknown and charming Italian girl who smiled and sighed by turns and
fairly glowed with delight and pride at my evident enslavement to the
beauty of it all.
She was directing the gondolier where to leave her when I exclaimed,
“Don’t leave me--please! Let’s do Venice together!”
Public-domain text, read in full here on John Shaqi.
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