“There are now no cities in Altruria, in your meaning, but there are capitals, one for each of the regions of our country and one for the whole commonwealth. These capitals are for the transaction of public affairs, in which every citizen of Altruria is schooled, and they are the residences of the administrative officials, who are alternated every year, from the highest to the lowest. A public employment with us is of no greater honor or profit than any other, for with our absolute economic equality there can be no ambition, and there is no opportunity for one citizen to outshine another. But as the capitals are the centres of all the arts, which we consider the chief of our public affairs, they are oftenest frequented by poets, actors, painters, sculptors, musicians, and architects. We regard all artists, who are in a sort creators, as the human type which is likest the divine, and we try to conform our whole industrial life to the artistic temperament. Even in the labors of the field and shop, which are obligatory upon all, we study the inspiration of this temperament, and in the voluntary pursuits we allow it full control. Each, in these, follows his fancy as to what he shall do, and when he shall do it, or whether he shall do anything at all. In the capitals are the universities, theatres, galleries, museums, cathedrals, laboratories and conservatories, and the appliances of every art and science, as well as the administration buildings; and beauty as well as use is studied in every edifice. Our capitals are as clean and quiet and healthful as the country, and these advantages are secured simply by the elimination of the horse, an animal which we should be as much surprised to find in the streets of a town as the plesiosaurus or the pterodactyl. All transportation in the capitals, whether for pleasure or business, is by electricity, and swift electrical expresses connect the capital of each region with the villages which radiate from it to the cardinal points. These expresses run at the rate of a hundred and fifty miles an hour, and they enable the artist, the scientist, the literary man, of the remotest hamlet, to visit the capital (when he is not actually resident there in some public use) every day, after the hours of the obligatory industries; or, if he likes, he may remain there a whole week or fortnight, giving six hours a day instead of three to the obligatories, until the time is made up. In case of very evident merit, or for the purpose of allowing him to complete some work requiring continuous application, a vote of the local agents may release him from the obligatories indefinitely. Generally, however, our artists prefer not to ask this, but avail themselves of the stated means we have of allowing them to work at the obligatories, and get the needed exercise and variety of occupation in the immediate vicinity of the capital.