A Treatise on Chancel Screens and Rood Lofts: Their Antiquity, Use, and Symbolic SignificationPugin, Augustus Welby Northmore
History
A Treatise on Chancel Screens and Rood Lofts: Their Antiquity, Use, and Symbolic Signification
Pugin, Augustus Welby Northmore
Screens (Church decoration)
When we now behold the city of London, with its narrow lanes, lined with
lofty warehouses and gloomy stores, leading down to the banks of the
muddy Thames, whose waters are blackened with foul discharges from
gas-works and soap-boilers, while the air is darkened with the dense
smoke of chimneys rising high above the parish steeples, which mark the
site of some ancient church, destroyed in the great conflagration, it is
difficult to realize the existence of those venerable and beautiful
fabrics where the citizens of London assembled in daily worship, and
whose rood lofts shone so gloriously on Easter and Christmas feasts. But
this great and ancient city was inferior to none in noble religious
buildings; and in the sixteenth century the traveller who approached
London from the west, by the way called Oldbourne, and arriving at the
brow of the steep hill, must have had a most splendid prospect before
him; to the right the parish church of S. Andrew's, rising most
picturesquely from the steep declivity, and surrounded by elms, with its
massive tower, decorated nave, and still later chancel; on the left the
extensive buildings of Ely-house, its great gateway, embattled walls,
lofty chapel and refectory, and numerous other lodgings and offices,
surrounded by pleasant gardens, as then unalienated from the ancient see
after which it was called, it presented a most venerable and
ecclesiastical appearance. Further in the same direction might be
perceived the gilded spire of S. John's church of Jerusalem and the
Norman towers of S. Bartholomew's priory. Immediately below was the
Fleet river, with its bridge, and the masts of the various craft moored
along the quays. At the summit of the opposite hill, the lofty tower of
S. Sepulchre's, which though greatly deteriorated in beauty, still
remains. In the same line, and over the embattled parapets of the
Newgate, the noble church of the Grey Friars, inferior in extent only to
the cathedral of S. Paul, whose gigantic spire, the highest in the
world, rose majestically from the centre of a cruciform church nearly
seven hundred feet in length, and whose grand line of high roofs and
pinnacled buttresses stood high above the group of gable-houses, and
even the towers of the neighbouring churches. If we terminate the
panorama with the arched lantern of S. Mary-le-Bow, the old tower of S.
Michael, Cornhill, and a great number of lesser steeples, we shall have
a faint idea of the ecclesiastical beauty of Catholic London. But to
return to our more immediate subject, each of these fine churches was
provided with its screen and rood. Numerous are the entries in the old
churchwardens' accounts yet remaining of pious offerings made by the
citizens to beautify the devotional sculptures which decorated them, and
to provide tapers and branches to deck them for the returning festivals.
There were veils for Lent, when the glory of our Lord was partially
obscured by his approaching Passion; and there were garlands for Easter,
Public-domain text, read in full here on John Shaqi.
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