A Treatise on Chancel Screens and Rood Lofts: Their Antiquity, Use, and Symbolic SignificationPugin, Augustus Welby Northmore
History
A Treatise on Chancel Screens and Rood Lofts: Their Antiquity, Use, and Symbolic Signification
Pugin, Augustus Welby Northmore
Screens (Church decoration)
and paschal lights, and crowns, and diadems. The old parish church of S.
Mary-at-Hill was inferior to none in the beautiful partition of its
chancel; it was principally the work of a pious citizen, who, on the
decay of the older work, renewed the same; or, as the old chronicle
expresses it:—"For the love he bore to Jesu and his holy Modir did sett
up at his own proper costes and charges, and most artificially
dispensil, the image of Christ, Mary, and John, and many saynts and
aungels, with the loft whereon they stood: and for the due maintainyng
of a perpetual light to hang brenyng before the same, and for a priest
to synge at his anniversary he also left two tenements in the paryshe of
Barkynge; and when he died he was buried under a grey stone, over and
against the holy doors of the chancel, and till the sad time of the
civil wars, was his portraieture in brass, and that of his wife, and 3
sons and 5 daughters at their feet, and his shield of mark, and the arms
of the honourable Company of the Fishmongers, and round the bordure,
with an Evangelist at every corner, was this inscription: '✠ Good
Christen people, of your charitie pray for the soulys of John Layton,
citizen and fyshemonger of London, who deceeded on the feast of S.
Stephen, in the yeare of our Lorde 1456, and of Margaret his wyffe, on
whose sowlys and the sowlys of Christen men may Jesu have mercy. Pater,
ave, Amen.'" And on the brestsumer of the rood loft were carved divers
devices, such as S. Peter's keys for his Patron, and dolphins and
sea-luces salterwise for the Company, and scrolls, with +Lays+ coming
out of tuns for the founder, and above all was a most artificial
bratishing, with large bowls of brass, with prickets for tapers on great
feasts, and there was a staircase of freestone, closed by an oak door,
set up on the south side of the aisle, for the convenience of ascending
to the same; and on each of the lower panels of the holy doors and of
the bays of the screen were pictures of saints and martyrs, on grounds
of gold diaper, each with their legend. For nearly a century this goodly
work had stood the pride and delight of the parishioners, who bestowed
much cost on sustaining its lights and ornaments, as the church books
yet testify. But a sad and fearful change was approaching—new and
heretical doctrines were circulated and even heard at Paul's Cross; men
became divided in heart and mind; the returning festivals exhibited no
unity of joy and devotion; many gloomily stayed away; and it was
currently reported that nocturnal meetings were privately held at some
citizens' houses, where preachers from beyond sea taught novel opinions,
and inveighed against altars and priests, and sacred images and ancient
rites; and soon there was a quest to examine into the ornaments of the
churches, and many a goodly pyx, and chalice, and chrismatory were
seized by the sacrilegious spoilers for the state; and shortly after the
Public-domain text, read in full here on John Shaqi.
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