A Treatise on Chancel Screens and Rood Lofts: Their Antiquity, Use, and Symbolic SignificationPugin, Augustus Welby Northmore
History
A Treatise on Chancel Screens and Rood Lofts: Their Antiquity, Use, and Symbolic Signification
Pugin, Augustus Welby Northmore
Screens (Church decoration)
"Impostors," they would exclaim, "is this the realization of the ancient
faith? why, the wreck we have left savours more of the old spirit than
this miserable show." But let us reverse the scene, and introduce our
pilgrims into a church, raised after the ancient fashion of those in
which they had been used to worship, but restored to life and beauty.
First, that veiled altar and ardent lamps tell of the divine presence
abiding among men: _ecce tabernaculum Dei cum hominibus_. What sanctity
this imparts to the whole fabric, and how dead do even the most
stupendous churches appear when denuded of the sacramental presence; the
ground itself in such a place is holy: not only the disposition of the
fabrick itself, but every enrichment, every detail harmonises in setting
forth one grand illustration of the faith. The windows sparkle in
saintly imagery and sacred mysteries, the very light of heaven enters
through a medium which diffuses it in soft and mellowed hues. What a
perspective is presented to the sight, of successive pillars supporting
intersecting arches, leaving distant openings into aisles and chapels!
Then the chancel, with its stalled quire seen through the traceried
panels of the sculptured screen, above which, in solemn majesty, rises
the great event of our redemption, treated after a glorified and
mystical manner, the ignominious cross of punishment changed into the
budding tree of life, while, from the tesselated pavement to the
sculptured roof, every detail sets forth some beautiful and symbolical
design; how would such a fabric strike to the heart of a devout soul,
seeking for the realization of ancient solemnities! And is it not a case
of gross infatuation for men professing the old faith to reject what we
may truly imagine to be a revelation made by the mercy of God for the
consolation of his servants upon earth, and to turn back to the old
vomit of Pagan design, associated only with the infernal orgies of false
gods and heathen corruptions? Does it not show an utter loss of all
appreciation of the beautiful and the true, and a state of mental
degradation as deplorable, as it is alarming in its practical results?
Public-domain text, read in full here on John Shaqi.
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