A Treatise on Chancel Screens and Rood Lofts: Their Antiquity, Use, and Symbolic SignificationPugin, Augustus Welby Northmore
History
A Treatise on Chancel Screens and Rood Lofts: Their Antiquity, Use, and Symbolic Signification
Pugin, Augustus Welby Northmore
Screens (Church decoration)
consequently their churches are like immense naves, with lateral chapels
between the buttresses; the high altar placed against a reredos, behind
which was the choir for the religious. Christian architecture lends
itself perfectly to all these varieties: a Carthusian, a Dominican, or a
Franciscan church may be and _were_ quite in accordance with true
ecclesiastical architecture, and yet most differently disposed, to suit
the various religious rules. Unless Pointed architecture is carried out
on these adaptive rules, which are the old ones, it is not a living
monument. It is quite certain that our present race of architects, as a
body, do not yet understand the language: they transcribe words, and
even sentences, accurately, but it is a dead imitation of something
already done, and not a living creation; and, consequently, great sums
are thrown away in fine and praiseworthy and well-intentioned attempts,
but which will be shortly deplored by all concerned. I grieve to see
this, as, unless it is remedied, it may be the means of giving the
Pagans a _temporary_ triumph. I say temporary, because their eventual
destruction is as certain as that of the power of the devil himself,
but, like him, they have done and may do a deal of mischief till they
are finally bound.
I therefore most earnestly conjure all those men who profess to revive
true architecture to look to the wants and circumstances of the time,
_not to sacrifice principles, but to prove that the real principles can
combine with any legitimate requirement of religion_; let the bishops
and clergy practically perceive that Christian architecture fulfils
perfectly all their wants: let there be light, space, ventilation, good
access, with the absence of drafts, which destroy devotion and excite
prejudice against Pointed doorways. Avoid useless and over-busy detail,
and rely on good proportions and solemnity of effect. Above all, we must
remember that everything old is not an object of imitation—everything
new is not to be rejected. If we work on these golden principles, the
revival would be a living monument, as it was in days of old; and that
God may grant us means to carry it out, that he will enlighten the
hearts of the obdurate, and unite the faithful in one great bond of
exertion for the revival of the long-lost glory of his church,
sanctuary, and altar, is the earnest prayer of the writer of this book.
Public-domain text, read in full here on John Shaqi.
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