A Treatise on the Art of Midwifery: Setting Forth Various Abuses Therein, Especially as to the Practice With Instruments: the Whole Serving to Put All Rational Inquirers in a Fair Way of Very Safely Forming Their Own Judgement Upon the Question; Which It Is Best to Employ, in Cases of Pregnancy and Lying-in, a Man-midwife; Or, a MidwifeNihell, Elizabeth
History
A Treatise on the Art of Midwifery: Setting Forth Various Abuses Therein, Especially as to the Practice With Instruments: the Whole Serving to Put All Rational Inquirers in a Fair Way of Very Safely Forming Their Own Judgement Upon the Question; Which It Is Best to Employ, in Cases of Pregnancy and Lying-in, a Man-midwife; Or, a Midwife
Nihell, Elizabeth
Midwifery -- Early works to 1800; Obstetrics -- Early works to 1800
THIS is M. de la Motte, one of the ablest and most intelligent modern
writers on the subject of midwifery, of which his works form an
incontestable proof. The ingenuity and candor with which he has written,
must render him less suspected than any other. This is no midwife. He is
a man, and esteemed an able practitioner, who learned the principles of
the art from Madam la Marche, head-midwife of the Hôtel Dieu at Paris.
He made his advantage of the works of his predecessors Mauriceau, Peu,
and of all the best authors on this subject. All that was worth it in
them he has transfused into his own writings; and that in a very clear
manner. He collected whatever the best physicians had usefully said on
the diseases of mother and child: in short, he has added many good
observations and reflexions of his own, in the journals of his manual
practice: the reading of his works, with some precaution however, cannot
but be useful to the students of the art.
I DO this writer this justice, with the more readiness and pleasure,
for, that though he himself exercised the profession of man-midwife, and
consequently in favor of his own practice, and of the pupils he was
bringing up, was not without the injustice of adopting the prejudices of
his cotemporaries too indiscriminately against the midwives; he does not
suppress any truth relative to the art itself. But even, as to the
midwives, the truth escapes him without any design on his side of its
coming out. But such is the force of truth. And thus it appears. M. De
la Motte wrote in a little sorry country-town at a great distance from
the capital, being at the very extremity of the kingdom of France, on a
sea-coast, where there were no other midwives than poor country-women,
without knowledge, without skill, or any other qualification, than a
little of the habit of attending women in labor. Yet with all these
deficiencies it will appear, that the men-practitioners were far more to
be dreaded than those poor ignorant creatures, who had scarce any thing
but Nature for their guide.
I SHALL here give the substance of what he says in his preface, followed
by some examples of the unskilfulness, or rather of the most profound
ignorance of the most able men-midwives of his time, for forty leagues
round his place of residence in the country.
“IT is (says M. De la Motte) astonishing, that the obstetrical art
should, until the beginning of the preceding age, have been left either
to ignorant women, or to surgeons, who had not (any more than too many
to this day) any other resource in difficult labors, than some
instrument guided by undextrous hands, always sure of killing the child,
and endangering the mother. Do not these poor innocents deserve
compassion for being exposed to operations of surgery, which one would
rationally think they could not need, till providence should have at
least given them leave to come into the world?”
Public-domain text, read in full here on John Shaqi.
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