A treatise on the origin, progress, prevention, and cure of dry rot in timber : $b with remarks on the means of preserving wood from destruction by sea worms, beetles, ants, etc.Britton, Thomas Allen
Science
A treatise on the origin, progress, prevention, and cure of dry rot in timber : $b with remarks on the means of preserving wood from destruction by sea worms, beetles, ants, etc.
Britton, Thomas Allen
Dry-rot; Wood -- Preservation
In situations favourable to rot, painting prevents every degree of
exhalation, depriving at the same time the wood of the influence of the
air, and the moisture runs through it, and insidiously destroys the wood.
Most surveyors know that moist oak cills to window frames will soon rot,
and the painting is frequently renewed; a few taps with a two-feet
brass rule joint on the top and front of cill will soon prove their
condition. Wood should be a year or more before it is painted; or, better
still, never painted at all. Artificers can tell by the sound of any
substance whether it be healthy or decayed as accurately as a musician
can distinguish his notes: thus, a bricklayer strikes the wall with his
crow, and a carpenter a piece of timber with his hammer. The Austrians
used formerly to try the goodness of the timber for ship-building by the
following method: One person applies his ear to the centre of one end of
the timber, while another, with a key, hits the other end with a gentle
stroke. If the wood be sound and good, the stroke will be distinctly
heard at the other end, though the timber should be fifty feet or more in
length. Timber affected with rot yields a particular sound when struck,
but if it were painted, and the distemper had made much progress, with
no severe stroke the outside breaks like a shell. The auger is a very
useful instrument for testing wood; the wood or sawdust it brings out can
be judged by its smell; which may be the fresh smell of pure wood: the
vinous smell, or first degree of fermentation, which is alcoholic; or the
second degree, which is putrid. The sawdust may also be tested by rubbing
it between the fingers.
According to Colonel Berrien, the Michigan Central Railroad Bridge, at
Niles, was painted _before seasoning_, with “Ohio fire-proof paint,”
forming a glazed surface. After five years it was so rotten as to require
rebuilding.
Painted floor-cloths are very injurious to wooden floors, and frequently
produce rottenness in the floors that are covered with them, as the
painted cloth prevents the access of air, and retains whatever dampness
the boards may absorb, and therefore soon causes decay. Carpets are not
so injurious, but still assist in retarding free evaporation.
Captain E. M. Shaw, in ‘Fire Surveys,’ thus writes of the floors of a
building, “They might with advantage be caulked like a ship’s deck, only
with dry oakum, without pitch.” Let us see how far oil floor-cloth and
kamptulicon will assist us in obtaining an air-tight floor.
Public-domain text, read in full here on John Shaqi.
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