A Treatise on Wood Engraving, Historical and PracticalChatto, William Andrew
History
A Treatise on Wood Engraving, Historical and Practical
Chatto, William Andrew
Wood-engraving
tabulis ligneis scripti,”--letters engraved on wood-blocks,--which are
mentioned in a preceding sentence. The inconsistency of Trithemius in
ascribing the origin of the art to Gutemberg, and twice immediately
afterwards calling Scheffer the son-in-law of “the first inventor,”
Faust, is noticed by Schœpflin, and has been pointed out by several
other writers.
[Footnote III-27: Vindiciæ Typographicæ, pp. 77, 78.]
In 1455 the partnership between Gutemberg and Faust was dissolved at the
instance of the latter, who preferred a suit against his partner for the
recovery, with interest, of certain sums of money which he had advanced.
There is no mention of the time when the partnership commenced in the
sentence or award of the judge; but Schwartz infers, from the sum
claimed on account of interest, that it must have been in August 1449.
It is probable that his conclusion is very near the truth; for most of
the early writers who have mentioned the invention of printing at Mentz
by Gutemberg and Faust, agree in assigning the year 1450 as that in
which they began to practise the new art. It is conjectured by Santander
that Faust, who seems to have been a selfish character,[III-28] sought
an opportunity of quarrelling with Gutemberg as soon as Scheffer had
communicated to him his great improvement of forming the letters by
means of punches and matrices.
[Footnote III-28: In the first work which issued from Faust and
Scheffer’s press, with a date and the printer’s names,--the
Psalter of 1457,--and in several others, Scheffer appears on an
equal footing with Faust. In the colophon of an edition of Cicero
de Officiis, 1465, Faust has inserted the following degrading
words: “Presens opus Joh. Fust Moguntinus civis . . . . arte
quadam perpulcra Petri manu _pueri mei_ feliciter effeci.” His
partner, to whose ingenuity he is chiefly indebted for his fame,
is here represented in the character of a menial. Peter Scheffer,
of Gernsheim, clerk, who perfected the art of printing, is now
degraded to “Peter, my _boy_” by whose hand--not by his
ingenuity--John Faust exercises a certain beautiful art.]
Public-domain text, read in full here on John Shaqi.
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