A Treatise on Wood Engraving, Historical and PracticalChatto, William Andrew
History
A Treatise on Wood Engraving, Historical and Practical
Chatto, William Andrew
Wood-engraving
The next writer who mentions Harlem as the place where printing was
invented is Guicciardini, who in his Description of the Low Countries,
first printed at Antwerp in 1567, gives the report, without vouching for
its truth, as follows: “In this place, it appears, not only from the
general opinion of the inhabitants and other Hollanders, but from the
testimony of several writers and from other memoirs, that the art of
printing and impressing letters on paper such as is now practised, was
invented. The inventor dying before the art was perfected or had come
into repute, his servant, as they say, went to live at Mentz, where
making this new art known, he was joyfully received; and applying
himself diligently to so important a business, he brought it to
perfection and into general repute. Hence the report has spread abroad
and gained credit that the art of printing was first practised at Mentz.
What truth there may be in this relation, I am not able, nor do I wish,
to decide; contenting myself with mentioning the subject in a few words,
that I might not prejudice [by my silence the claims of] this
district.”[III-58]
[Footnote III-58: Ludovico Guicciardini, Descrittione di tutti i
Paesi Bassi: folio, Anversa, 1581. The original passage is given
by Meerman. The original words _altre memorie_--translated in the
above extract “other memoirs”--are rendered by Mr. Ottley “other
records.” This may pass; but it scarcely can be believed that
Guicciardini consulted or personally knew of the existence of any
such records. Mr. Ottley also, to match his “records,” refers to
the relations of Coornhert, Zuyren, Guicciardini, and Junius as
“documents.”]
It is evident that the above account is given from mere report. What
other writers had previously noticed the claims of Harlem, except
Coornhert and Zuyren, remain yet to be discovered. They appear to have
been unknown to Guicciardini’s contemporary, Junius, who was the first
to give a name to the Harlem inventor; a “local habitation” had already
been provided for him by Coornhert.
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