A Treatise on Wood Engraving, Historical and PracticalChatto, William Andrew
History
A Treatise on Wood Engraving, Historical and Practical
Chatto, William Andrew
Wood-engraving
[Footnote IV-7: It is to be observed that in Savage’s copy the
perpendicular flourishes are given horizontally, above and below
the letter, in order to save room. In a copy of the edition of
1459, in the King’s Library, part of the lower flourish has not
been inked, as it would have interfered with the letter Q at the
commencement of the second psalm “_Quare fremuerunt gentes_.”
Traces of the flourish where not coloured may be observed
impressed in the vellum.]
Although it has been generally supposed that the art of printing was
first carried from Mentz in 1462 when Faust and Scheffer’s sworn workmen
were dispersed[IV-8] on the capture of that city by the archbishop
Adolphus of Nassau, yet there can be no doubt that it was practised at
Bamberg before that period; for a book of fables printed at the latter
place by Albert Pfister is expressly dated on St. Valentine’s day, 1461;
and a history of Joseph, Daniel, Judith, and Esther was also printed by
Pfister at Bamberg in 1462, “+Nit lang nach sand walpurgen tag+,”--not
long after St. Walburg’s day.[IV-9] It is therefore certain that the art
was practised beyond Mentz previous to the capture of that city, which
was not taken until the eve of St. Simon and St. Jude; that is, on the
28th of October in 1462. As it is very probable that Pfister would have
to superintend the formation of his own types and the construction of
his own presses,--for none of his types are of the same fount as those
used by Gutemberg or by Faust and Scheffer,--we may presume that he
would be occupied for some considerable time in preparing his materials
and utensils before he could begin to print. As his first known work
with a date, containing a hundred and one wood-cuts, was finished on the
14th of February 1461, it is not unlikely that he might have begun to
make preparations three or four years before. Upon these grounds it
seems but reasonable to conclude with Aretin, that the art was carried
from Mentz by some of Gutemberg and Faust’s workmen on the dissolution
of their partnership in 1455; and that the date of the capture of
Mentz--when for a time all the male inhabitants capable of bearing arms
were compelled to leave the city by the captors--marks the period of its
more general diffusion. The occasion of the disaster to which Mentz was
exposed for nearly three years was a contest for the succession to the
archbishopric. Theodoric von Erpach having died in May 1459, a majority
of the chapter chose Thierry von Isenburg to succeed him, while another
party supported the pretensions of Adolphus of Nassau. An appeal having
been made to Rome, the election of Thierry was annulled, and Adolphus
was declared by the Pope to be the lawful archbishop of Mentz. Thierry,
being in possession and supported by the citizens, refused to resign,
until his rival, assisted by the forces of his adherents and relations,
succeeded in obtaining possession of the city.[IV-10]
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