A Treatise on Wood Engraving, Historical and PracticalChatto, William Andrew
History
A Treatise on Wood Engraving, Historical and Practical
Chatto, William Andrew
Wood-engraving
It is probable that most of the single sheets and short tracts, printed
from wood-blocks, preserved in the libraries of Germany, were printed
between 1440 and 1480. Books consisting of two or more sheets printed
from wood-blocks are of rare occurrence with a date subsequent to 1480.
Although about that period the wood engravers appear to have resigned
the printing of books entirely to typographers, yet for several years
afterwards they continued to print broadsides from blocks of wood; and
until about 1500 they continued to compete with the press for the
printing of “Wand-Kalendars,” or sheet Almanacks to be hung up against a
wall. Several copies of such Almanacks, engraved between 1470 and 1500,
are preserved in libraries on the Continent that are rich in specimens
of early block-printing. But even this branch of their business the wood
engravers were at length obliged to abandon; and at the end of the
fifteenth century the practice of printing pages of text from engraved
wood-blocks may be considered as almost extinct in Germany. It probably
began with a single sheet, and with a single sheet it ended; and its
origin, perfection, decline, and extinction are comprised within a
century. 1430 may mark its origin; 1450 its perfection; 1460 the
commencement of its decline; and 1500 its fall.
In an assemblage of wood engravings printed at Gotha between 1808 and
1816,[IV-65] from old blocks collected by the Baron Von Derschau, there
are several to which the editor, Zacharias Becker, assigns an earlier
date than the year 1500. It is not unlikely that two or three of those
in his oldest class, A, may have been executed previous to that period;
but there are others in which bad drawing and rude engraving have been
mistaken for indubitable proofs of antiquity. There are also two or
three in the same class which I strongly suspect to be modern forgeries.
It would appear from a circumstance mentioned in Dr. Dibdin’s
Bibliographical Tour,[IV-66] and referred to at page 236 of the present
work, that the Baron was a person from whose collection copper-plate
engravings of questionable date had proceeded as well as wood-blocks.
The following is a reduced copy of one of those suspicious blocks, but
which the editor considers to be of an earlier date than the St.
Christopher in the collection of Earl Spencer. I am however of opinion
that it is of comparatively modern manufacture.
[Footnote IV-65: The title of this work is: “Holzschnitte alter
Deutscher Meister in den Original-Platten gesammelt von Hans
Albrecht Von Derschau. Als ein Beytrag zur Kunstgeschichte
herausgegeben, und mit einer Abhandlung über die Holzschneidekunst
begleitet, von Rudolph Zacharias Becker.” It is in large folio,
with the text in German and French. The first part was published
at Gotha in 1808; the second in 1810; and the third in 1816.]
[Footnote IV-66: Vol. iii. p. 445, edit. 1829.]
[Illustration]
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