A Treatise on Wood Engraving, Historical and PracticalChatto, William Andrew
History
A Treatise on Wood Engraving, Historical and Practical
Chatto, William Andrew
Wood-engraving
Some years after this, Count Cunio gave the copy of the achievements of
Alexander, in its present binding, to the grandfather of the person who
caused this account to be written. The binding, according to Papillon’s
description of it, was, for the period, little less remarkable than the
contents. “This ancient and Gothic binding,” as Papillon’s note is
translated by Mr. Ottley. “is made of thin tablets of wood, covered with
leather, and _ornamented with flowered compartments, which appear simply
stamped and marked with an iron a little warmed, without any gilding_.”
It is remarkable that this singular volume should afford not only
specimens of wood engraving, earlier by upwards of a hundred and thirty
years than any which are hitherto known, but that the binding, of the
same period as the engravings, should also be such as is rarely, if
ever, to be met with till upwards of one hundred and fifty years after
the wonderful twins were dead.
As this volume is no longer to be found, as no mention is made of such a
work by any old writer, and as another copy has not been discovered in
any of the libraries of Italy, nor the least trace of one ever having
been there, the evidence of its ever having existed rests solely on the
account given of it by Papillon. Before saying a word respecting the
credit to be attached to this witness, or the props with which Zani and
Ottley endeavour to support his testimony, I shall attempt to show that
the account affords internal evidence of its own falsehood.
Public-domain text, read in full here on John Shaqi.
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