A Treatise on Wood Engraving, Historical and PracticalChatto, William Andrew
History
A Treatise on Wood Engraving, Historical and Practical
Chatto, William Andrew
Wood-engraving
Before noticing the description of the subjects, I shall state a few
objections to the account of the twins as written out by order of the
youngest Turine, the grandson of Jan. Jacq. Turine, who received the
volume from Count Cunio himself, the father of the twins, a few years
after their death, which could not well happen later than 1291; as Pope
Honorius, to whom their work was dedicated when they were sixteen years
old, died in 1287, and Isabella Cunio, who survived her brother, died
when she was not more than twenty. Supposing that Count Cunio gave the
volume to his friend, J. J. Turine, a native of Berne, in 1300, and that
the grandson of the latter caused the history of the twins to be written
out eighty years afterwards,--and we cannot fairly assume that it was
written later, if indeed so late,--we have thus 1380 as the date of the
account written “in old Swiss characters, in a better hand, and with
much blacker ink,” than the owner’s own memorandum of the manner in
which the volume came into his family, and his reasons for prizing it so
highly. The probable date of the pretended Swiss history of the Cunio,
Papillon’s advocates carefully keep out of sight; for what impartial
person could believe that a Swiss of the fourteenth century could give
utterance to the sentimental fustian which forms so considerable a
portion of the account? Of the young knight Cunio he knows every
movement; he is acquainted with his visit to his repudiated mother; he
knows in which arm he was wounded; the number of men that he lost, when
with only five-and-twenty he routed two hundred; the name of Isabella’s
lover; the illness and happy recovery of Count Cunio’s wife, and can
tell the cause why the count himself did not fall sick.
Public-domain text, read in full here on John Shaqi.
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