A Treatise on Wood Engraving, Historical and PracticalChatto, William Andrew
History
A Treatise on Wood Engraving, Historical and Practical
Chatto, William Andrew
Wood-engraving
Even the St. Bridget, which he considers to be of a date not later than
the close of the fourteenth century,[II-19] Mr. Ottley, with a German
inscription before his eyes, is inclined to give to an artist of the Low
Countries; and he kindly directs the attention of Coster’s partisans to
the shield of arms--probably intended for those of Sweden--at the
right-hand corner of the cut. Meerman had discovered a seal, having in
the centre a shield charged with a lion rampant--the bearing of the
noble family of Brederode--a label of three points, and the mark of
illegitimacy--a bend sinister, and surrounded by the inscription,
“S[igillum] Lowrens Janssoen,” which with him was sufficient evidence of
its being the identical seal of Laurence, the Coster or churchwarden of
Harlem.[II-20]
[Footnote II-19: Mr. Ottley’s reason for considering this cut to
be so old is, that “after that period [1400] an artist, who was
capable of designing so good a figure, could scarcely have been so
grossly ignorant of every effect of linear perspective, as was
evidently the case with the author of the performance before
us.”--Inquiry, p. 87. Offences, however, scarcely less gross
against the rules of linear perspective, are to be found in the
wood-cuts in the Adventures of Sir Theurdank, 1517, many of which
contain figures superior to that of St. Bridget. Errors in
perspective are indeed frequent in the designs of many of the most
eminent of Albert Durer’s contemporaries, although in other
respects the figures may be correctly drawn, and the general
composition good.]
[Footnote II-20: An engraving of this seal is given in the first
volume of Meerman’s Origines Typographicæ.]
We thus perceive on what grounds the right of Germany to three of the
oldest wood-cuts known is questioned; and upon what traits of
resemblance they are ascribed to Italy and the Low Countries. By
adopting Mr. Ottley’s mode of reasoning, it might be shown with equal
probability that a very considerable number of early wood
engravings--whether printed in books or separately--hitherto believed to
be German, were really executed in Italy.
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