A Treatise on Wood Engraving, Historical and PracticalChatto, William Andrew
History
A Treatise on Wood Engraving, Historical and Practical
Chatto, William Andrew
Wood-engraving
[Footnote II-26: Idée Générale, p. 251. Hartman Schedel, the
compiler of the Nuremberg Chronicle, was accustomed to paste both
old wood-cuts and copper-plate engravings within the covers of his
books, many of which were preserved in the Library of the Elector
of Bavaria at Munich.--Idée Gén. p. 287; and Von Murr, Journal,
2 Theil, S. 115.]
A great many wood-cuts of devotional subjects, of a period probably
anterior to the invention of book-printing by Gutenberg, have been
discovered in Germany. They are all executed in a rude style, and many
of them are coloured. It is not unlikely that the most of these woodcuts
were executed at the instance of the monks for distribution among the
common people as helps to devotion; and that each monastery, which might
thus avail itself of the aid of wood engraving in the work of piety,
would cause to be engraved the figure of its patron saint. The practice,
in fact, of distributing such figures at monasteries and shrines to
those who visit them, is not yet extinct on the Continent. In Belgium it
is still continued, and, I believe, also in Germany, France, and Italy.
The figures, however, are not generally impressions from wood-blocks,
but are for the most part wholly executed by means of stencils. One of
the latter class, representing the shrine of “Notre Dame de
Hal,”--coloured in the most wretched taste with brick-dust red and
shining green,--is now lying before me. It was given to a gentleman who
visited Halle, near Brussels, in 1829. It is nearly of the same size as
many of the old devotional wood-cuts of Germany, being about four inches
high, by two and three-quarters wide.[II-27]
[Footnote II-27: Heineken thus speaks of those old devotional
cuts: “On trouve dans la Bibliothèque de Wolfenbüttel de ces
sortes d’estampes, qui représentent différens sujets de l’histoire
sainte et de dévotion, avec du texte vis à vis de la figure, tout
gravé en bois. Ces pièces sont de la même grandeur que nos cartes
à jouer: elles portent 3 pouces de hauteur sur 2 pouces 6 lignes
de largeur.”--Idée Générale, p. 249.]
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